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1950s and ‘60s Blue Note – Is It All the Same?
by Marc Davis
A few years ago, a reader from California named Charlie F. started a provocative discussion in the All About Jazz forums with the title: “I've decided not to buy any more Blue Note albums." Oh boy. He began, “Recently, I came to notice something about Blue Note albums of the 50s-60s, which was that ...
Jason Moran, Randy Weston and Billy Harper at SFJazz
by Harry S. Pariser
Jason Moran, Randy Weston and Billy Harper SFJazz San Francisco, CA November 24, 2013 Three fine musicians came together on stage in a new jazz facility in San Francisco. First up was a rising star in the jazz world, an acclaimed pianist who frequently incorporates samples of taped music and text ...
John Patitucci: The Gentle Soul
by Esther Berlanga-Ryan
Every jazz musician inhabits a private inner world of amazing energy and light, where they live, dream and fall deeply in love with their unique craft while creating this extraordinary and improvised music. Through the years, some become masters of their instruments, and a selfless interaction with the world takes place, where they share what they ...
Jim Ketch: A Distant View
by Nicholas F. Mondello
A Distant View delivers intelligent music performed by highly involved players across a dozen diverse selections ranging from straight-ahead hard bop, calypso, an obligatory standard and a Chuck Mangione-esque soft rock tidbit thrown in for dessert. Incorporating a classic Art Blakey and the Jazz Messengers quintet formula, these outstanding players share a common interest here in ...
Art Blakey and the Jazz Messengers: Live! at Slug's, NYC
by Samuel Chell
The drums and bass are miked too “hot," and the horns occasionally distort, but there are at least two compelling reasons to listen to this 2006 release of a 1968 on-location Messengers date featuring an unusual Blakey lineup. (No doubt some jazz fans will recognize Slug's as the unpretentious Bowery jazz saloon where Lee Morgan was ...
Art Blakey and the Jazz Messengers: Live at Slug's, NYC
by David Rickert
Many of Art Blakey's Jazz Messengers left the group to build successful careers of their own. However, in between Lee Morgan and Wayne Shorter and the Marsalises was this curious 1968 band, made up largely of talented unknowns. This particular version of the band never made it into the studio, and this live recording from Slug's ...
Art Blakey and the Jazz Messengers: Drum Suite
by Jim Santella
The all-star lineup on Drum Suite gives the album high marks before one note of music is played. It's a piece of history. Released in 1957, the album merged Art Blakey's Jazz Messengers with several other musical forces that proved fruitful, rhythmically and otherwise. With this reissue come several bonus tracks that had appeared ...
Art Blakey and the Jazz Messengers: Blakey's Beat
by John Kelman
Art Blakey may never have strayed far from the music that captured his spirit in his youth, namely the more soulful and simple-themed variation on bebop called hard bop, but throughout the course of his fifty-plus year career, he was a constant, most notably with his Jazz Messengers band, starting in '53 and continuing until literally ...
Art Blakey And The Jazz Messengers: Coast To Coast
by AAJ Staff
Now that Concord Jazz is in the midst of a number of reissues from the label’s classic albums, jazz listeners are fortunate that Carl Jefferson had the foresight and opportunity to record the Jazz Messengers’ mid-eighties band in live performances a continent apart. With one disk recorded in New York’s Mikell’s and the other recorded almost ...
Art Blakey And The Jazz Messengers: Reflections Of Buhaina
by Jim Santella
A reissue, Reflections Of Buhaina contains two albums: one by Art Blakey and the Jazz Messengers and one by the Bill Hardman Quintet. Study In Rhythm (Elektra 120 and Savoy MG 1217) features trumpeter Hardman and saxophonist Jackie McLean as Jazz Messengers. The Bill Hardman Quintet (Savoy MG 12170) features the trumpeter with Sonny Red, Ronnie ...
