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Houston Person: I'm Just a Lucky So and So
by Jack Bowers
Perhaps tenor saxophonist Houston Person is indeed A Lucky So and So, as he professes on his newly recorded album of that name, but it has taken far more than luck to sustain a long and successful career that spans more than half a century and numbers more than sixty albums as leader of his own ...
2018: The Year in Jazz
by Ken Franckling
The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...
The Mighty Arnett Cobb
Known as the “Wild Man of the Tenor Sax," Arnett Cobb began his recording career with the Lionel Hampton Orchestra in 1943. He quickly became one of the band's stars, and his solos were eagerly awaited by audiences. But Cobb would suffer several Job-like misfortunes, only to fight his way back to the microphone, where he ...
Piccola guida al nuovo jazz italiano
by Luca Canini
Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...
Sax Gordon: In the Wee Small Hours
by Angelo Leonardi
Le esibizioni spettacolari da honker anni '40 lo hanno reso famoso al pubblico del blues ma gli amanti del jazz hanno gusti raffinati e non gli prestano molta attenzione. In questo disco, inciso in Italia con Alberto Marsico e Alessandro Minetto, Sax Gordon si mostra però ligio alla tradizione jazzistica del tenore, ampliando il suo campo ...
James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
John Engels: Looking Back, Moving Forward
by Joan Gannij
Drummer John Engels has the energy of two forty-year olds, which is pretty impressive, since he will soon be turning 80. He will celebrate this auspicious occasion with the Vogel Vrij (Free as a Bird) tour, a series of concerts at diverse venues throughout the Netherlands (with saxophonists Benny Golson and Benjamin Herman) which began in ...
Golson and Trane Dissed in Philly (circa 1944)
by Bob Jacobson
This article was originally published at All About Jazz in 1999. John Coltrane and Benny Golson stand among the major figures of jazz in the second half of the twentieth century, Coltrane primarily as a player and Golson primarily as a composer. But in 1944 Philadelphia they were teenagers just getting their feet wet, ...
Bimhuis at 40: Older, Better, Business as Usual
by Joan Gannij
The Bimhuis is turning 40 and is still very much in its prime. Beginning October 1, Amsterdam's venerable jazz club will celebrate this milestone with a variety of concerts, activities and special events. The Bimhuis opened in 1974 after a lengthy search for a suitable venue for improvising musicians. Over the next decades it would become ...
Even More Big Tenors
Since I'm now tenor crazy after featuring great saxophonists all week, I went in search of video featuring even mightier reed players. How about Dexter Gordon, Budd Johnson, Buddy Tate, Illinois Jacquet and Arnett Cobb on the same stage engaging in a tenor battle? Here's the clip. Jacquet is in the cream suit, Tate is in ...
