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Introducing Anthony Braxton
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970]To anyone still questioning the validity of the systems and methods at which Cecil Taylor and Ornette Coleman arrived, I would first of all recommend that he listen more attentively to the work of those men. But I'd also suggest that he make ...
Archie Shepp: The New York Contemporary Five
by John Barron
Although saxophonist Archie Shepp is listed as the leader of this release, The New York Contemporary Five was really a collective; a short-lived, free jazz super-group from the early 1960s. The band, with a front line of Shepp, cornetist Don Cherry and alto saxophonist John Tchicai, was recorded live at the famed Jazzhus Montmartre in Copenhagen, ...
Drummer Muhammed Ali Interviewed at AAJ
Though not as well known as his brother, drummer Rashied Ali (1935-2009), Muhammad Ali spent the 1970s as one of the busiest drummers in free jazz, primarily working in a cooperative Paris-based quartet with saxophonist Frank Wright, pianist Bobby Few and bassist Alan Silva, and known as the Center of the World Quartet. Born in Philadelphia ...
Muhammad Ali: From a Family of Percussionists
by Clifford Allen
Though not as well known as his brother, drummer Rashied Ali (1935-2009), Muhammad Ali spent the 1970s as one of the busiest drummers in free jazz, primarily working in a cooperative Paris-based quartet with saxophonist Frank Wright, pianist Bobby Few and bassist Alan Silva, and known as the Center of the World Quartet. Born in Philadelphia ...
Cochemea Gastelum: The Electric Sound of Johnny Arrow
by Chris May
Its title giving a nod to his Native American roots, The Electric Sound of Johnny Arrow is the debut album from Brooklyn-based saxophonist Cochemea Gastelum. A touring member of Sharon Jones & The Dap Kings, and a recurring saxophonist in the original band for the Broadway musical Fela!, Gastelum here pays tribute to some of his ...
The Mark Lomax Trio: The State Of Black America
by Mark Corroto
Drummer/composer/band leader Mark Lomax must not be afraid of ghosts. Because with all the spirits hovering over his recording The State Of Black America, it would be understandable that he and his band of saxophonist Edwin Bayard and bassist Dean Hulett might be a bit intimidated to bridge the firebrand music of the 1960s from today's ...
John Tchicai: Four Ways
by Robert Iannapollo
New York Art Quartet Old Stuff Cuneiform 2010 John Tchicai's Five Points One Long Minute Nu Bop 2010 John Tchicai In Monk's Mood Steeplechase 2009
David S. Ware: Gravitation
by Martin Longley
It wasn't the kidney transplant that brought saxophonist David S. Ware very close to wheelchair confinement. Last September (2009), there were early signs of organ rejection, so he was placed on a course of steroids. These came with side effects that were more debilitating than last year's operation itself. Since then, Ware has been in a ...
Steve Swell: Sound Miracles
by Gordon Marshall
Trombonist Steve Swell captures the energy of a big band in the close quarters of a small group. An alumnus of Buddy Rich's and Lionel Hampton's bands on the one hand, and collaborator with Anthony Braxton on the other, he seems bound to have fixed upon such a hybrid configuration at some point. But how an ...
Keefe Jackson and Aram Shelton: Seeing You See and Two Cities
by Clifford Allen
The city of Chicago continues to find itself in a jazz renaissance well into the waxing years of the 21st century--a status that many of America's cities can't easily lay claim to. With the pedigrees of individual improvisers and composers like reedman Ken Vandermark and flutist Nicole Mitchell well established in the 1990s, a slightly younger ...
