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Joe Lovano: Finding New Adventures
by R.J. DeLuke
The loss of gig and the accompanying income stream, caused by the insidious and evil coronavirus, has hurt musicians across all genres. It has separated them from friends and band mates, from projects and from going to special places—physically and artistically. Coping with it is the order of the day. It has created some dark moments ...
In memoriam: Alessandro Giachero
by Francesco Martinelli
Only with a very heavy heart one can write an obituary for a young friend and great musician who left this world suddenly, prematurely and unjustly, leaving his colleagues and pupils, but above all his family, in mourning. It will hopefully be useful to leave a trace of his musical contributions and a lead for future ...
Tim Berne: The Deceptive 4—Live
by Mark Corroto
The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...
Jen Shyu: Song of the Silver Geese
by Angelo Leonardi
Viene spesso definita una vocalist sperimentale Jen Shyu, ma questo disco conferma che è molto di più. Dopo aver collaborato stabilmente con Steve Coleman e ancora con Anthony Braxton, Bobby Previte, Mark Dresser, Chris Potter e altri grandi, la cantante americana di genitori orientali (Taiwan e Timor Est) ha compiuto negli anni scorsi ricerche etnomusicologiche, recandosi ...
Alexander von Schlippenbach / Globe Unity Orchestra: Globe Unity - 50 Years
by Mark Corroto
Pianist Alexander von Schlippenbach's Globe Unity Orchestra (GUO) employs a similar head-scratching process to that utilized to make geuze, a much-treasured Belgian beer. Both elicit the “how did they do that?" question, and both seem to be a gift from Mother Nature. Schlippenbach brings together a choice assemblage of improvisers, like the ingredients of guesze (wheat ...
Charles Gayle/Giovani Barcella/Manolo Cabras: Live In Belgium
by Mark Corroto
Picking up any recording by the saxophonist (sometimes pianist) Charles Gayle always reminds me of the quote by actress Bette Davis' from the the film All About Eve (1950). After downing her martini in one gulp, Davis walks away, turns, and announces “fasten your seatbelts, it's going to be a bumpy ride." Not bumpy as in ...
Quinsin Nachoff: Quinsin Nachoff's Ethereal Trio
by Mark Corroto
It's interesting how modern jazz performers come to the music from very different circumstances than those of players of bygone eras. Instead of learning their craft in a bar or bagnio, they went to a conservatory to sharpen their chops. What they lack in perceived street-smarts (the outdated 1950s hipster delusion of jazzman as junkie), they ...
Dave Holland: Consummate Bassist
by Lazaro Vega
This interview was first published at All About Jazz in May 1999 and is part of our ongoing effort to archive pre-database material.Bassist Dave Holland brings the flexible structures and varied instrumental colors of his Grammy nominated Quintet to several Michigan locations in the second week of April. On the 7th the group presents ...
Various Artists: The Boston Creative Jazz Scene 1970-1983
by Dave Wayne
Though jny: New York City remains first and foremost in everyone's mind as the “Jazz Capital of the World," aficionados know that many other cities in the US and abroad support significant and artistically important jazz communities. Boston looms large among the most important jazz cities, worldwide. The birthplace of Harry Carney, Roy Haynes, George Russell, ...
Tom Chang: Tongue and Groove
by Mark Corroto
When did the ultimate compliment for a jazz performance switch from “you swing, cat" to “you rock, dude"? Perhaps it happened after a generation of jazz artists raised on rock-n-roll found their way into improvisation and the latitudes of expression that jazz enable. Case in point is Tongue And Groove by guitarist Tom Chang.
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