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397

Article: Album Review

Klaus Gesing: Heartluggage

Read "Heartluggage" reviewed by John Kelman


Sometimes a musician's associations are so high profile that it's easy to overlook his own work as a leader. Seeming to appear out of nowhere on British vocal legend Norma Winstone's sublime Distances (ECM, 2008) and Tunisian oudist Anouar Brahem's equally chamber-centric The Astounding Eyes of Rita (ECM, 2009), Klaus Gesing is, in fact, an established ...

Album

The Astounding Eyes Of Rita

Label: ECM Records
Released: 2009
Track listing: The Lover of Beirut; Dance With Waves; Stopover at Djibouti; The Astounding Eyes of Rita; Al Birwa; Galilee Mon Amour; Waking State; For No Apparent Reason.

1,077

Article: Live Review

Enjoy Jazz Festival: Days 1-2, October 20-21, 2009

Read "Enjoy Jazz Festival: Days 1-2, October 20-21, 2009" reviewed by John Kelman


Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 Situated along the Neckar River in the central part of Germany, Heidelberg may seem like an unlikely place for a six-week jazz festival in the middle of the fall each year. But Enjoy Jazz, now in its eleventh year, has been bringing an ...

362

Article: Album Review

Anouar Brahem: The Astounding Eyes of Rita

Read "The Astounding Eyes of Rita" reviewed by Dan McClenaghan


The Astounding Eyes of Rita rings to life on four resonant notes from Tunisian oudist Anouar Brahem, joined in short order by the deep, rich tone of Klaus Gesing's bass clarinet. The music sounds ancient, like something from an old civilization, full of past truths that still hold true. Manfred Eicher, the man in ...

586

Article: Album Review

Anouar Brahem: The Astounding Eyes of Rita

Read "The Astounding Eyes of Rita" reviewed by John Kelman


In the world of the oud--the fretless, Middle Eastern incarnation of the lute--there are three artists who are moving the instrument--and its centuries-old tradition--forward. Tunisian-born Dhafer Youssef has explored the integration of technology and western classicism on Divine Shadows (Jazzland, 2006), while Lebanese-born Rabih Abou-Khalil has investigated a nexus with horn-driven large ensemble on The Cactus ...

1,320

Article: Interview

John Surman: From Boy Choirs to Big Horns

Read "John Surman: From Boy Choirs to Big Horns" reviewed by John Kelman


It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...

339

Article: Album Review

The Alon Farber Hagiga Sextet: Optimistic View

Read "Optimistic View" reviewed by Jay Deshpande


No other way to put it: the Alon Farber Hagiga Sextet is a fantastic find. First formed in 2001 by saxophonist Alon Farber and drummer Dani Benedikt, Hagiga has developed a tasteful interplay while melding disparate musical traditions from around the world. As Israelis, the band-members draw on a heritage of confluence and intersection. Mirroring their ...

Album

Le Voyage De Sahar

Label: ECM Records
Released: 2006
Track listing: Sur le fleuve; Le Voyage de Sahar; L'Aube; Vague / E la nave va; Les Jardins de Ziryab; Nuba; La Chambre; Córdoba; Halfaouine; La Chambre Var.; Zarabanda; Été Andalous; Vague Var.

1

Article: Album Review

Anouar Brahem: Le voyage de Sahar

Read "Le voyage de Sahar" reviewed by AAJ Italy Staff


Grande virtuoso dell'oud e ormai da molti anni alfiere dell'etichetta ECM, il tunisino Anouar Brahem prosegue con questo Le voyage de Sahar il suo viaggio tra i piú disparati scenari musicali, che lo ha visto collaborare con artisti del calibro di Jan Garbarek, John Surman, Barbaros Erköse, Dave Holland. Questa volta, come raramente gli accade, si ...

463

Article: Interview

Anouar Brahem: Innovative Weaver of Musical Heritages

Read "Anouar Brahem: Innovative Weaver of Musical Heritages" reviewed by Eyal Hareuveni


Tunisian oud player Anouar Brahem's eighth solo release, Voyage de Sahar (ECM, 2006), is another testimony to the magnificent way that he manages to weave influences and references from the rich and beautiful heritage of Arabic world with elements of Andalusian music and modern jazz, and to the innovative way in which Brahem suggests the oud ...


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