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Itamar Erez / The Adama Ensemble: Hommage
by Eyal Hareuveni
Four years passed between the debut recording of Israeli pianist/guitarist Itamar Erez and this sophomore one. Desert Song (Self Produced, 2006), was recorded with his Canadian quartet, and after relocating to Israel he founded a local quartet, based on the same instrumentation that was introduced by the pioneering, genre-breaking quartet, Oregon. On Hommage, ...
Dave Holland & Pepe Habichuela: Hands
by John Kelman
Sometimes the best indicator of an artist's versatility is in the side projects they accept. Bassist Dave Holland's career could hardly be described as monolithic, with his discography as a leader--ranging from his quintet (Critical Mass (Dare2, 2006)) to his big band (Overtime (Dare2, 2005)) --nothing short of but exemplary. Still, some of the most unexpected ...
Take Five With Amir Perelman
by AAJ Staff
Meet Amir Perelman: Amir Perelman (42) has been playing string instruments since he was 15. He grew up in Israel and partly in the U.S., living in the Netherlands and France for ten years, where as an active musician he performed at various jazz clubs and festivals throughout Europe. He taught music at the Rotterdam Conservatory ...
Anouar Brahem: The Astounding Eyes of Rita
by AAJ Italy Staff
Il musicista tunisino Anouar Brahem aggiunge un altro tassello alla sua personale sintesi di oriente e occidente. Dopo il capitolo in trio con Jean-Louis Matinier e François Couturier documentato da due album (Le pas du chat noir e Le voyage de Sahar), decisamente orientato verso un impressionismo cameristico di stampo europeo, ritorna alla dimensione più mediorientale ...
Dhafer Youssef: Abu Nawas Rhapsody
by John Kelman
After two albums exploring the nexus of ages-old Middle Eastern harmony and modernistic electronics, Tunisian-born oudist/vocalist Dhafer Youssef turns to a stripped-down, completely acoustic environs for Abu Nawas Rhapsody. Despite leaving Oslo behind--where, on Digital Prophecy (Enja, 2003) and Divine Shadows (Jazzland, 2006), he collaborated with some of Norway's more intrepid musicians including guitarist Eivind Aarset, ...
Klaus Gesing: Heartluggage
by John Kelman
Sometimes a musician's associations are so high profile that it's easy to overlook his own work as a leader. Seeming to appear out of nowhere on British vocal legend Norma Winstone's sublime Distances (ECM, 2008) and Tunisian oudist Anouar Brahem's equally chamber-centric The Astounding Eyes of Rita (ECM, 2009), Klaus Gesing is, in fact, an established ...
The Astounding Eyes Of Rita
Label: ECM Records
Released: 2009
Track listing: The Lover of Beirut; Dance With Waves; Stopover at Djibouti; The Astounding Eyes of
Rita; Al Birwa; Galilee Mon Amour; Waking State; For No Apparent Reason.
Enjoy Jazz Festival: Days 1-2, October 20-21, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 Situated along the Neckar River in the central part of Germany, Heidelberg may seem like an unlikely place for a six-week jazz festival in the middle of the fall each year. But Enjoy Jazz, now in its eleventh year, has been bringing an ...
Anouar Brahem: The Astounding Eyes of Rita
by Dan McClenaghan
The Astounding Eyes of Rita rings to life on four resonant notes from Tunisian oudist Anouar Brahem, joined in short order by the deep, rich tone of Klaus Gesing's bass clarinet. The music sounds ancient, like something from an old civilization, full of past truths that still hold true. Manfred Eicher, the man in ...
Anouar Brahem: The Astounding Eyes of Rita
by John Kelman
In the world of the oud--the fretless, Middle Eastern incarnation of the lute--there are three artists who are moving the instrument--and its centuries-old tradition--forward. Tunisian-born Dhafer Youssef has explored the integration of technology and western classicism on Divine Shadows (Jazzland, 2006), while Lebanese-born Rabih Abou-Khalil has investigated a nexus with horn-driven large ensemble on The Cactus ...
