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Montreal Jazz Festival, Days 4-6, July 2-4, 2011
by John Kelman
Days 1-3 | Days 4-6 Festival International de Jazz de Montréal Montréal, Canada June 25-July 4, 2011 Montréal is a city in transition, and in a move that's absolutely uncharacteristic of other Canadian cities, is planning a downtown renovation driven, in no small part, by the arts. Place des ...
Montreal Jazz Festival 2011
by John Kelman
Days 1-3 | Days 4- 6 Festival International de Jazz de Montréal Montreal, Canada June 25- July 4, 2011After a hiatus in 2010, in order to take a three-week Norwegian road trip, it's great to get back to the festival that the Guinness Book of Records calls “The biggest ...
Amina Alaoui: Arco Iris
by John Kelman
Following her outstanding performance with the cross-cultural, century-spanning ensemble of Norwegian keyboardist/composer Jon Balke's Siwan (ECM, 2009), it's no surprise that the German label has tapped into the Moroccan singer for an album of her own. But as sprawling and ambitious as Siwan was, Arco Iris is, while being no less dramatic, on a much smaller ...
Jayme Stone: "Room of Wonders"
Bach's Lilt, Mystery Melodies, and the Wonders of the World: Banjo Instigator Jayme Stone Whirls and Waltzes on Room of Wonders As masterful banjo player and musical instigator Jayme Stone was fixing dinner one night, he heard Bach dance. “I was listening to Bach's “French Suites" while cooking. The performance had such a lilt to it ...
Paolo Fresu / A Filetta Corsican Voices / Daniele di Bonaventura: Mistico Mediterraneo
by John Kelman
At a time when cross-pollination has become the new musical evolution, ECM Records remains at the vanguard. Whether blending music of Tunisian origins with European impressionistic concerns and hints of New World groove on oudist Anouar Brahem's The Astounding Eyes of Rita (2009), or marrying Persian percussion with Baroque instrumentation and Fourth World improvisation on keyboardist ...
Itamar Erez / The Adama Ensemble: Hommage
by Eyal Hareuveni
Four years passed between the debut recording of Israeli pianist/guitarist Itamar Erez and this sophomore one. Desert Song (Self Produced, 2006), was recorded with his Canadian quartet, and after relocating to Israel he founded a local quartet, based on the same instrumentation that was introduced by the pioneering, genre-breaking quartet, Oregon. On Hommage, ...
Dave Holland & Pepe Habichuela: Hands
by John Kelman
Sometimes the best indicator of an artist's versatility is in the side projects they accept. Bassist Dave Holland's career could hardly be described as monolithic, with his discography as a leader--ranging from his quintet (Critical Mass (Dare2, 2006)) to his big band (Overtime (Dare2, 2005)) --nothing short of but exemplary. Still, some of the most unexpected ...
Take Five With Amir Perelman
by AAJ Staff
Meet Amir Perelman: Amir Perelman (42) has been playing string instruments since he was 15. He grew up in Israel and partly in the U.S., living in the Netherlands and France for ten years, where as an active musician he performed at various jazz clubs and festivals throughout Europe. He taught music at the Rotterdam Conservatory ...
Anouar Brahem: The Astounding Eyes of Rita
by AAJ Italy Staff
Il musicista tunisino Anouar Brahem aggiunge un altro tassello alla sua personale sintesi di oriente e occidente. Dopo il capitolo in trio con Jean-Louis Matinier e François Couturier documentato da due album (Le pas du chat noir e Le voyage de Sahar), decisamente orientato verso un impressionismo cameristico di stampo europeo, ritorna alla dimensione più mediorientale ...
Dhafer Youssef: Abu Nawas Rhapsody
by John Kelman
After two albums exploring the nexus of ages-old Middle Eastern harmony and modernistic electronics, Tunisian-born oudist/vocalist Dhafer Youssef turns to a stripped-down, completely acoustic environs for Abu Nawas Rhapsody. Despite leaving Oslo behind--where, on Digital Prophecy (Enja, 2003) and Divine Shadows (Jazzland, 2006), he collaborated with some of Norway's more intrepid musicians including guitarist Eivind Aarset, ...
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