Results for "Andrew Velez"
Stacey Kent: Raconte-Moi
The opening tune of this set, from the winning vocalist Stacey Kent, is Jobim-Moustaki's “Les Eaux de Mars." In its English-language version, “The Waters of March," this bossa gem was well-known as the exclusive property of the late and wonderful Susannah McCorkle. Kent proves to be a worthy inheritor of it and other tunes in this ...
Andrea Fultz: The German Projekt German Songs from the Twenties and Thirties
Since its origins in the turbulent 1920s-'30s, and with the occasional exception of a vocalist-cum-chanteuse like Ute Lemper, the authoritative renditions by Marlene Dietrich and Lotte Lenya have pretty much held title to this music, which might be called the Great German Songbook. Which makes it all the more impressive that Munich-born Andrea Fultz, who has ...
Lester Young: Centennial Celebration Lester Young
Although he'd lived a scant 50 hard years when he died in 1959, tenor sax giant Lester Willis Young was and remains one of the most vital and influential forces in jazz. He used words as singularly as he played, dubbing Billie Holiday “Lady Day"; theirs was an incomparable musical pairing and she returned the favor, ...
Brubeck: The Quintessence (1948-1959) ; Take Five; QSF Plays Brubeck; 1975: The Duets & Jazz at Oberlin
Dave Brubeck/Paul DesmondThe Quintessence (1948-1959)Fremeaux & Associes.2009 Sachal Studios OrchestraTake FiveSachal Music2009 Quartet San FranciscoQSF Plays BrubeckViolinJazz2009 Dave Brubeck/Paul Desmond1975: The DuetsA&M-Verve
Houston Person: Mellow
Houston Person's Mellow could easily have been called “Up Close and Personal." With dozens and dozens of recordings to his credit, it's just the latest in a long list of exemplary sets that always evidence the warmth of his tone and the directness of his tenor sax phrasing. Also mixed in as well is a funky ...
Nellie McKay: Normal As Blueberry Pie - A Tribute To Doris Day
Listening to Normal As Blueberry Pie, one might say Nellie McKay is not a traditional jazz singer, whatever that is. In the case of this “Tribute to Doris Day," she's just good and also a lot of fun. Musically, McKay's voice can be feathery at times and, like Day, she has perfect pitch and an optimistic ...
Terry Waldo: The Ohio Theatre Concert
No less a ragtime icon than composer Eubie Blake himself endorsed pianist, musical director, arranger and early jazz scholar Terry Waldo as being “an extension of my own musical self." Waldo's irresistible way with this music is in full glory on this 1974 concert. Blake himself was to have participated, but missed the concert due to ...
Amy Cervini: Lovefool
For this recording songbird Amy Cervini drops ever so lightly upon songs on the theme of love. The sources are as varied as Jack Johnson and Depeche Mode, covering a broad spectrum of genres, styles and periods. The opener, “Bye-Bye Country Boy," recalls a sophisticate's brief pastoral dalliance. It's a tune that others are rediscovering now ...
Roni Ben-Hur: Fortuna
This is a worthy follow-up to Roni Ben-Hur's Smile (Motema, 2009), on which he was memorably paired with fellow guitarist Gene Bertoncini. The Israeli-born composer and arranger is teamed here with three stalwarts, the late pianist Ronnie Mathews, percussionist Steve Kroon and drummer Lewis Nash. This is the same rhythm section Ben-Hur used for the album ...
David "Fathead" Newman: The Blessing
What an apt name The Blessing is for David Newman's final recording before his death ended a long career last January (2009). He played for more than a decade with Ray Charles and alongside Herbie Mann, Aretha Franklin and Roy Ayers, among many others. For this last studio session he was in fine form. A Milt ...
Showcase
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Cleveland Time by Matthew Alec
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Bernstein Reimagined by Smithsonian Jazz Masterworks Orchestra
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Thank You Mr. Mabern! by Leon Lee Dorsey
Contest Giveaway
ELIGIBLE WINNERS: 5
DAYS REMAINING: 21
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