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ARTICLE: ALBUM REVIEW

Stacey Kent: Raconte-Moi

Read "Raconte-Moi" reviewed by Andrew Velez

The opening tune of this set, from the winning vocalist Stacey Kent, is Jobim-Moustaki's “Les Eaux de Mars." In its English-language version, “The Waters of March," this bossa gem was well-known as the exclusive property of the late and wonderful Susannah McCorkle. Kent proves to be a worthy inheritor of it and other tunes in this ...

ARTICLE: ALBUM REVIEW

Andrea Fultz: The German Projekt German Songs from the Twenties and Thirties

Read "The German Projekt German Songs from the Twenties and Thirties" reviewed by Andrew Velez

Since its origins in the turbulent 1920s-'30s, and with the occasional exception of a vocalist-cum-chanteuse like Ute Lemper, the authoritative renditions by Marlene Dietrich and Lotte Lenya have pretty much held title to this music, which might be called the Great German Songbook. Which makes it all the more impressive that Munich-born Andrea Fultz, who has ...

ARTICLE: ALBUM REVIEW

Lester Young: Centennial Celebration Lester Young

Read "Centennial Celebration Lester Young" reviewed by Andrew Velez

Although he'd lived a scant 50 hard years when he died in 1959, tenor sax giant Lester Willis Young was and remains one of the most vital and influential forces in jazz. He used words as singularly as he played, dubbing Billie Holiday “Lady Day"; theirs was an incomparable musical pairing and she returned the favor, ...

Brubeck: The Quintessence (1948-1959) ; Take Five; QSF Plays Brubeck; 1975: The Duets & Jazz at Oberlin

Read "Brubeck: The Quintessence (1948-1959) ; Take Five; QSF Plays Brubeck; 1975: The Duets & Jazz at Oberlin" reviewed by Andrew Velez

Dave Brubeck/Paul DesmondThe Quintessence (1948-1959)Fremeaux & Associes.2009 Sachal Studios OrchestraTake FiveSachal Music2009 Quartet San FranciscoQSF Plays BrubeckViolinJazz2009 Dave Brubeck/Paul Desmond1975: The DuetsA&M-Verve

ARTICLE: ALBUM REVIEW

Houston Person: Mellow

Read "Mellow" reviewed by Andrew Velez

Houston Person's Mellow could easily have been called “Up Close and Personal." With dozens and dozens of recordings to his credit, it's just the latest in a long list of exemplary sets that always evidence the warmth of his tone and the directness of his tenor sax phrasing. Also mixed in as well is a funky ...

ARTICLE: ALBUM REVIEW

Nellie McKay: Normal As Blueberry Pie - A Tribute To Doris Day

Read "Normal As Blueberry Pie - A Tribute To Doris Day" reviewed by Andrew Velez

Listening to Normal As Blueberry Pie, one might say Nellie McKay is not a traditional jazz singer, whatever that is. In the case of this “Tribute to Doris Day," she's just good and also a lot of fun. Musically, McKay's voice can be feathery at times and, like Day, she has perfect pitch and an optimistic ...

ARTICLE: ALBUM REVIEW

Terry Waldo: The Ohio Theatre Concert

Read "The Ohio Theatre Concert" reviewed by Andrew Velez

No less a ragtime icon than composer Eubie Blake himself endorsed pianist, musical director, arranger and early jazz scholar Terry Waldo as being “an extension of my own musical self." Waldo's irresistible way with this music is in full glory on this 1974 concert. Blake himself was to have participated, but missed the concert due to ...

ARTICLE: ALBUM REVIEW

Amy Cervini: Lovefool

Read "Lovefool" reviewed by Andrew Velez

For this recording songbird Amy Cervini drops ever so lightly upon songs on the theme of love. The sources are as varied as Jack Johnson and Depeche Mode, covering a broad spectrum of genres, styles and periods. The opener, “Bye-Bye Country Boy," recalls a sophisticate's brief pastoral dalliance. It's a tune that others are rediscovering now ...

ARTICLE: ALBUM REVIEW

Roni Ben-Hur: Fortuna

Read "Fortuna" reviewed by Andrew Velez

This is a worthy follow-up to Roni Ben-Hur's Smile (Motema, 2009), on which he was memorably paired with fellow guitarist Gene Bertoncini. The Israeli-born composer and arranger is teamed here with three stalwarts, the late pianist Ronnie Mathews, percussionist Steve Kroon and drummer Lewis Nash. This is the same rhythm section Ben-Hur used for the album ...

ARTICLE: ALBUM REVIEW

David "Fathead" Newman: The Blessing

Read "The Blessing" reviewed by Andrew Velez

What an apt name The Blessing is for David Newman's final recording before his death ended a long career last January (2009). He played for more than a decade with Ray Charles and alongside Herbie Mann, Aretha Franklin and Roy Ayers, among many others. For this last studio session he was in fine form. A Milt ...


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