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David Virelles: Continuum
by John Sharpe
Pianist David Virelles adopts an unusual strategy for his second album and first on Pi Recordings. Eschewing the piano pyrotechnics which illuminated his debut, Motion (Justin Time, 2008), he opts for an exploration of Cuban folklore and its manifestation through poetry, storytelling and art. Inspired by Afro-Cuban religious practice, Virelles has created a set of episodic ...
Frank Kimbrough Trio: Live At Kitano
by Dan Bilawsky
Pianist Frank Kimbrough can't avoid the magnetic pull of the trio. His own discography contains fine solo, duo, quartet and quintet dates, but a good half of the releases under his name have been triangular affairs that focus on his flexible take on this time-tested format. Kimbrough keeps coming back to this scenario, not because he ...
Dafnis Prieto: Experiments in Spontaneity
by R.J. DeLuke
Improvisation--music in the moment, eloquently once called “the sound of surprise"--takes place in genres besides jazz. But in America's indigenous art form, it is a cornerstone. The degree to which a song might contain improv varies greatly. Sometimes it's hard to tell in a highly arranged piece where the musicians are taking liberties. Other times its ...
Bob Mintzer Big Band / Bob Wilber and the Tuxedo Big Band / Joe Chambers Moving Pictures Orchestra
by Jack Bowers
Bob Mintzer Big BandFor the MomentMCG Jazz2012 Anyone who has followed Bob Mintzer's career knows that the multi-talented saxophonist / educator has always had a special place in his heart for music from south of the border (he even recorded a big-band album, Latin from Manhattan, back in ...
Harris Eisenstadt: Canada Day III
by John Sharpe
The third installment in drummer Harris Eisenstadt's Canada Day adventure follows the same winning formula as established by Canada Day (Clean Feed, 2008) and Canada Day II (Songlines, 2011),carving out a distinctive niche on the contemporary jazz borderlands, with a nod to the '60s Blue Note territory of pianist Andrew Hill and reedmen Sam Rivers and ...
Sam Rivers / Dave Holland / Barry Altschul: Reunion: Live In New York
by Mark Corroto
There will be no more opportunities to experience saxophonist Sam Rivers, who passed away in 2011, at 89. Then again, you probably hadn't caught him live in decades, since he chose to live in Florida from the early 1990s, although he did release several large ensemble sessions. His 1960s Blue Note Records and 70s Impulse! dates ...
Herbie Hancock: Inventions and Dimensions
by Greg Simmons
Recorded in August of 1963, pianist Herbie Hancock's Inventions and Dimensions puts pulsing, grooving rhythms at the center of the music, with Latin percussive elements and--in the best jazz tradition of the times--lots of blues. This isn't Hancock's most well-known date from his tenure at Blue Note, but it's an important recording for both its structural ...
Kris Berg & the Metroplexity Big Band / Michael Treni Big Band / Millennium Jazz Orchestra
by Jack Bowers
Kris Berg & the Metroplexity Big BandThis Time / Last YearMAMA Records2012 Until now, bassist / educator Kris Berg, who oversees the Jazz Studies program at Collin College near Dallas, TX, has been widely known and respected as someone who writes and arranges songs for others to play. ...
Fred Hersch Trio: Alive at the Vanguard
by Dan McClenaghan
Pianist Fred Hersch has found a place to come alive: The Village Vanguard, where so many great live albums have been recorded. Saxophonists John Coltrane and Sonny Rollins, pianist Bill Evans and drummer Paul Motian also found the New York City venue a prime spot for live recordings. Hersch revisits the venue with Alive the the ...
NEA Statement on the Death of NEA Jazz Master Von Freeman
NEA Chairman Rocco Landesman's Statement on the Death of NEA Jazz Master Von Freeman “On behalf of the National Endowment for the Arts, it is with great sadness that I acknowledge the passing of 2012 NEA Jazz Master Von Freeman. An extraordinary saxophonist with a sound all his own, Von Freeman's contributions to jazz – and ...
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