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The Blue Note Label
by Jerome Wilson
This show, from July 2021, covers two hours worth of the extensive legacy of the Blue Note record label, examining some of the label's rich past as well as its present. The program goes all the way from Lee Morgan and Bud Powell to Joel Ross and Ambrose Akinmusire. Playlist Henry Threadgill Sextett “I ...
David Binney: Barefooted Town
by Josef Woodard
Continuing Saga of the Strong Seeker I remember distinctly during the 2007 Montreal Jazz Festival, sifting through and measuring up the usual blur of stimuli, seeking out the prizes among prizes in the program. In one corner, there was Wayne Shorter, in the finest of his performance I'd ever heard—playing up his suits as composer and ...
Marta Sanchez: SAAM (Spanish American Art Museum)
by Alberto Bazzurro
La giovane pianista madrilena Marta Sanchez, ormai da tempo di stanza a New York, dirige in questo suo nuovo lavoro, inciso nel marzo 2021, un agguerrito quintetto con doppio sax che in un brano, “Marivi," si allarga a ottetto con l'ingresso di tromba (e che tromba: Ambrose Akinmusire), voce/chitarra e synth, dando sempre la precisa impressione ...
Stand Art
Label: Nonesuch Records
Released: 2022
Track listing: De-Dah; I Didn't Know What Time It Was; All The Things You Are; Big Foot; When A Woman Loves A
Man; Softly, As In A Morning Sunrise; I Should Care; Invasion During An Operetta; Laura.
2022: The Year in Jazz
by Ken Franckling
Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...
Noah Garabedian: The Power of Patience
by John Chacona
Patience might be not the first word that you'd expect to find on the job description for a professional jazz musician, but it has been crucial to the career of bassist Noah Garabedian's career. Growing up in Berkeley, a hothouse of young jazz talent, Garabedian never intended to become a working musician. “I definitely ...
Detroit Jazz Festival 2022: The 43rd Edition Returns to a Live Audience
by Paul Rauch
Detroit Jazz FestivalHart Plaza and Campus Martius Detroit, MI September 2-5, 2022 The main lobby of the Detroit Marriott at Renaissance Center was abuzz with greetings and joyful conversation. You could feel the ardent positivity in the room as well as you could feel the near ninety-degree heat and accompanying steady ...
Gard Nilssen, Sam Rivers, Dark Tree & Clean Feed
by Maurice Hogue
The '70s in Los Angeles was a very fertile period for free and avant-garde jazz. Dark Tree Records has been re-releasing some of that music and four of their albums are featured in this edition of OMJ. You'll hear music from Dark Tree albums by Horace Tapscott, Roberto Miranda, John Carter/Bobby Bradford and Vinny Golia. The ...
Phil Freeman Talks Jazz in the 21st Century
by Tyran Grillo
If music journalism had an award for honesty, it would belong firmly on the shelf of Phil Freeman alongside his latest book, Ugly Beauty. And if I had a choice about the design of said award, I might opt for a gold-plated boxing glove to symbolize the gut punches his words deliver. Not because his approach ...
Take Five with Matthew Muñeses
by AAJ Staff
Meet Matthew Muñeses Matthew Muñeses is a saxophonist and educator residing in the northwest suburbs of Chicago. In 2011, he received his B.M. in Saxophone Performance at Illinois State University and his M.M. in Jazz Performance at the University of Illinois at Urbana-Champaign in 2013. During this time, Matthew studied with Dana Hall, Chip McNeill, Ron ...
