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About Amalie Dahl

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Musician

Amalie Dahl

Amalie Dahl is a Danish-born saxophonist, composer, and bandleader based in Oslo, Norway. Known for her distinctive sound and strong artistic integrity, she has established herself as a compelling voice on the Nordic and European jazz scenes, both as an improviser and composer. 

Dahl is educated at the Jazz Department at NTNU in Trondheim (2021). In recent years, she has been involved in numerous projects and releases, including two critically acclaimed albums with her quintet Amalie Dahl’s Dafnie, which won “Single of the Year” at the Danish Music Awards Jazz 2024. The band has toured extensively across Europe since 2021. 

Album

Live at Moldejazz

Label: Sonic Transmissions Records
Released: 2026
Track listing: Intro; Floating; Drifting_Turning; Parallels; Slow_Motion; In Flux; Longing.

1

Article: Radio & Podcasts

2026 New Releases, Part 2

Read "2026 New Releases, Part 2" reviewed by Jon Greenbaum


This is part 2. And in case you missed it, here's Part 1. Like I said last week, I came across hundreds and hundreds of releases. These are the other 2026 highlights that reconfigured the chemicals in my bloodstream. Playlist Dandy Dandie “23 septembre" from Helios y Selene (Yolk Records) 00:04 Diego Pinera 4x4 ...

7

Article: Album Review

EVIDENCE: Evidence

Read "Evidence" reviewed by Daniel Mège


Evidence lives up to its title very well. A lot of music in this fairly short album that makes itself heard with surprising simplicity. EVIDENCE is a quartet: reeds, trombone, cello and drums. An unusual formation, but one that recalls Henry Threadgill's Zooid from 2015 onwards (without the guitar): In For A Penny, In ...

1

Article: Radio & Podcasts

Lea Maria Fries, Gary Versace, Amalie Dahl, Ingrid Jensen & More

Read "Lea Maria Fries, Gary Versace, Amalie Dahl, Ingrid Jensen & More" reviewed by Ludovico Granvassu


No matter its origins--European or American, live or recorded in the studio, from the '30s or today--this playlist brings together music that is not only recent or upcoming, but destined to stay with you.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Ingrid Jensen “Many Homes, Many ...

2

Article: Radio & Podcasts

New Music from Bill Frisell, Melissa Aldana and Nicole McCabe

Read "New Music from Bill Frisell, Melissa Aldana and Nicole McCabe" reviewed by Hobart Taylor


Bill Frisell comments on “Small Hands," Melissa Aldana evokes feelings in her new release Filin and saxophonist Nicole McCabe contemplates “Hues" via her Color Theory. Playlist Host Speaks 00:00 Anna Kolchina “So Many Stars" from Reach for Tomorrow (OA2) 00:08 Martial Solal/Dave Liebman “All the Things You Are" from Masters in Bordeaux (Sunnyside) 3:00 ...

1

Article: Radio & Podcasts

Angelini/Niescier/Abdou, Wojciech Jachna, Johnny Dyani & Amalie Dahl

Read "Angelini/Niescier/Abdou, Wojciech Jachna, Johnny Dyani & Amalie Dahl" reviewed by Maurice Hogue


French pianist Bruno Angelini found much inspiration in a quote from his favourite musician Wayne Shorter's graphic novel, “Emanon": “The lotus exists only in the swamp, in our world of turmoil, and the blooming flower purifies the water around it." It led him to make a recording called Lotus Flowers where he and saxophonists Angelika Niescier ...

2

Article: Year in Review

I Dischi del 2024 secondo Ludovico Granvassu

Read "I Dischi del 2024 secondo Ludovico Granvassu" reviewed by Ludovico Granvassu


Spesso molti articoli sulle “migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" “è tutto soggettivo;" “domani avrei scelto titoli diversi;" “ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando ...

31

Article: Year in Review

Ludovico Granvassu's Garden of Jazzy Delights 2024

Read "Ludovico Granvassu's Garden of Jazzy Delights 2024" reviewed by Ludovico Granvassu


Have you noticed how many “best of the year" listicles start with an apologetic preamble ("these are not necessarily 'the best albums of the year' but 'my favorites';" “it's all subjective;" “tomorrow I might have chosen different titles;" “I could only select ten albums" etc.)? Those disclaimers channel the writer's discomfort of having to summarize a ...


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