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Results for "Alice Coltrane"
Various Artists: Sunny Side Up
by Chris May
London DJ Gilles Peterson's worldwide touring produces some singular jazz and near-jazz experiences, the best of which he documents on his Brownswood Recordings label. Modern Cuban music figures prominently in the catalogue, and there have been several Japanese jazz albums, most memorably the Toshio Matsuura Group's Loveplaydance: 8 Scenes From The Floor (Brownswood, 2018). The label ...
International Anthem: The Beat of the Past, Present and Future
by Jakob Baekgaard
Dis is da drum. Everything starts with a beat. A heartbeat. A rhythm. A language. Communication between people. Patterns in percussion. Tribal language. Rhythms reaching out. Since the beginning, rhythms have been an integral part of jazz. Swing is rhythm and rhythm is swing. The pace has changed. The patterns have changed. Acoustic ...
Famous Jazz Mothers And Their Young
by Mary Foster Conklin
The Mothers Day broadcast included new releases from Molly Hammer, Mary Stallings, Vivian Sessoms and Lisa Maxwell, with birthday shout outs to Carla Bley in the first hour, Mary Lou Williams in the second hour, plus vocalists Judi Silvano, John Proulx, Barb Jungr and trumpeter Nadje Noordhuis, among others, plus cuts from some famous jazz mothers ...
Brandee Younger: Soul Awakening
by Mike Jurkovic
Sure the recording for Soul Awakening was completed in 2013, but we are more than fortunate that harpist Brandee Younger and producer/bassist Dezron Douglas have chosen now to free this music from the vaults. For Soul Awakening brings a defining clarity to what we've experienced on previous releases, such as the raw, groove/fusion of 2014's The ...
Alice Coltrane: Live At The Berkeley Community Theater 1972
by Chris May
Conventional belief holds that Alice Coltrane was the dreamy, mellifluous partner in John Coltrane's late period, out-there sonic explorations. The truth is otherwise, as attentive listening to the recordings the two Coltranes made together in 1966 and 1967 demonstrates. The misapprehension stems from the gentler albums Alice made for Impulse in the first few years following ...
Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême
by Karl Ackermann
The newly opened Théatre des Champs-Elysées was sold out on the night of May 29, 1913. The well-heeled Parisian audience had come to enjoy the much-anticipated premiere of Igor Stravinsky's “Rite of Spring" which featured the choreography of the acclaimed Russian ballet dancer Vaslav Nijinsky. Some accounts of what transpired that night appear to be exaggerated. ...
Binker Golding Quartet and Denys Baptiste Quartet at the London Saxophone Festival
by Chris May
Binker Golding Quartet / Denys Baptiste Quartet London Saxophone FestivalThe Jazz Cafe London May 23, 2019 The launch event for the 2019 London Saxophone Festival, which runs until June 16, featured two of the most edge-of-your-seat, high impact, kick-out-the-jams tenor saxophone-led bands in the recorded history of British jazz. ...
Moers Festival Interviews: Scatter The Atoms That Remain
by Martin Longley
Scatter The Atoms That Remain are set to be quite possibly the most jazzed combo at this year's Moers Festival, in Germany, but this simply illustrates the high degree of unfaithfulness displayed by many of its attending artists towards the jazz tradition. There are a mass of Moersfest acts who possess some sort of jazz-rootedness, but ...
Elder Ones, "From Untruth," and a Threat Called New York: An Essay
by Arian Bagheri Pour Fallah
If what we witness today; rabid expansion of capital and with it, growing class difference, and a renewed interest in Marx; if these were testimony to one thing, it would be Derrida's spook of a wager from his seminal Specters de Marx. Indeed, neo-liberal/conservative sham thinkers such as Fukuyama today find shelter no longer in Hegel, ...
Catherine Farhi: Finding Home in the New Morning
by Alexander Durie
What do an iconic Paris jazz club, the Arabic language and the Egyptian Surrealist movement have in common? The answer sat in a Montmartre flat in the heights of Paris, surrounded by plants and books and wearing a long royal blue spring dress. Catherine Farhi is all these things at once, and more.
