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Musician

Alexander von Schlippenbach

Born:

Alexander von Schlippenbach - piano, composer One of Europe's premier free jazz bandleaders, pianist Alexander von Schlippenbach's music mixes free and contemporary classical elements, with his slashing solos often the link between the two in his compositions. Schlippenbach formed The Globe Unity Orchestra in 1966 to perform the piece"Globe Unity,which had been commissioned by the Berliner Jazztage. He remained involved with the orchestra into the '80s. Schlippenbach began taking lessons at eight, and studied at the Staatliche Hochschule for Musik in Cologne with composers Bernd Alois Zimmermann and Rudolf Petzold. He played with Gunther Hampel in 1963, and was in Manfred Schoof's quintet from 1964 to 1967. Schlippenbach began heading various bands after 1967, among them 1970 trio with Evan Parker and Paul Lovens and a duo with Sven-Ake Johansson which they co-formed in 1976. Schlippenbach has also given many solos performances. In the late '80s, he formed the Berlin Contemporary Jazz Orchestra, which has featured a number of esteemed European avant-garde jazz musicians including Evan Parker, Paul Lovens, KennyWheeler, Misha Mengelberg and Aki Takase. During the 90`s Duo work with Tony Oxley, Sam Rivers and Aki Takase. The year 1999 he started performance and radiorecording of Thelonius Monks complete works,(all the compositions) with Rudi Mahall and his group. Awards: "Kunstpreis der Stadt Berlin "(1976)," Schallplattenpreise der UDJ"(1980/1981), "Albert Mangelsdorff Preis" (1994) At present activity: "SCHLIPPENBACH TRIO" "MONKS CASINO" "GLOBE UNITY ORCHESTRA" "LOK.03" "PIANO SOLO " "DUO WITH AKI TAKASE " The German Record Critics Award : "Monks Casino" 2005/3 The "SWR-Jazz Award" 2007

Album

Unwalled

Label: Fundacja Sluchaj
Released: 2023
Track listing: Unwalled; Empty Mess; Full Feel; The Play of What Is; Yes Road; Unification; Open End.

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Article: Album Review

Moss Freed / Union Division: Micromotives

Read "Micromotives" reviewed by John Sharpe


A question any composer for improvisers must face is whether they can create something more worthwhile than what they might come up with if left to themselves. It can be a tough call. For some, such as Alexander von Schlippenbach's Globe Unity Orchestra or Peter Brötzmann's Chicago Tentet, the ultimate conclusion was no, while for others ...

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Article: Radio & Podcasts

East Axis, Sebastiano Dessanay, Christoph Irniger & Andrew Cyrille

Read "East Axis, Sebastiano Dessanay, Christoph Irniger & Andrew Cyrille" reviewed by Maurice Hogue


This episode gets down to the bass-ics. I've loaded up this show with tracks that feature some terrific bassists, like Kevin Ray with East Axis and 10-32 K, Italy's Sebastiano Dessanay, Billy Mohler, Joel Grip with Ouat, John Edwards from England, Argentina's Maximiliano Kirszner, and of course, William Parker. There are more. Also on the bill, ...

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Article: Album Review

François Carrier/Alexander von Schlippenbach/John Edwards/Michel Lambert: Unwalled

Read "Unwalled" reviewed by Mark Corroto


Don't you love it when a plan comes together? Even if the plan is totally improvised, as is that of Unwalled. The album is the first meeting between Canadian alto saxophonist François Carrier and German-born pianist Alexander von Schlippenbach. The free jazz pioneer Schlippenbach was the founder of the Globe Unity Orchestra back in 1966, and ...

Article: Album Review

Matthias Schriefl: Geläut

Read "Geläut" reviewed by Giuseppe Segala


La scena della musica improvvisata nell'area germanica, molto prolifica dagli anni Sessanta dello scorso secolo, con musicisti quali Manfred Schoof, Peter Brötzmann, Alexander von Schlippenbach, Günter Sommer, trova oggi in Matthias Schriefl un degno erede, certamente un protagonista la cui personalità è in grado di reggere il confronto con quella gagliarda generazione di creativi.

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Article: Album Review

The Attic—Rodrigo Amado / Gonçalo Almeida / Onno Govaert: Love Ghosts

Read "Love Ghosts" reviewed by John Sharpe


Portuguese tenor saxophonist Rodrigo Amado has steadily become one of the premier players in the European free jazz arena, having banked the experience that comes through working with the likes of multi-instrumentalist Joe McPhee, trumpeter Peter Evans and pianist Alexander von Schlippenbach, reaping a rich dividend. Just how can be readily heard on Love Ghosts, the ...

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Article: Album Review

Rodrigo Amado: Refraction Solo

Read "Refraction Solo" reviewed by Mark Corroto


Are you familiar with Pablo Picasso's found art sculpture “Bull's Head"? It was created in 1942 from bicycle handlebars and a bike's saddle. Picasso was walking down the street and spotted the discarded items, and in a flash joined the two, creating an obvious depiction of a bull's head. That same spontaneous moment of creation informs ...

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Article: Album Review

The Attic: Love Ghosts

Read "Love Ghosts" reviewed by Troy Dostert


Portuguese tenor saxophonist Rodrigo Amado maintains a busy recording schedule, involving dates with heavy-hitters like Joe McPhee, Alexander von Schlippenbach and Peter Evans, in addition to his own lineups, which do not always generate the same kind of buzz. One of his relatively under-recognized groups is The Attic, an outfit which includes bassist Gonçalo Almeida and ...

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Article: Album Review

John Escreet: Seismic Shift

Read "Seismic Shift" reviewed by Mark Corroto


John Escreet's recording Seismic Shift, the pianist's first trio recording, might be the case for the return of warning labels on packaging. Not that there are explicit lyrics or violent images, it is just that the 52 minutes of music contained here are quite tempestuous and unrelenting. By design. Escreet is known for his ...


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