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9

Article: Album Review

Roxy Coss: The Future is Female

Read "The Future is Female" reviewed by Paul Rauch


Saxophonist/composer Roxy Coss migrated east ten years ago from her native Seattle, seeking a life and career in jazz in New York City. That time has seen her develop a strong and focused voice both as a musician and as an advocate and activist for female artists in America's quintessential art form. Coss gained ...

Album

LifeCycle

Label: Culture Shock Music
Released: 2017
Track listing: Action/Reaction; Sweet And Lovely; Life Cycle; I Don't Stand A Ghost Of A Chance With You; Seeing Distance; The Low Country; Taking Sides; Shared Stories; Locust Ave.

20

Article: Interview

Roxy Coss: Standing Out

Read "Roxy Coss: Standing Out" reviewed by Paul Rauch


All About Jazz: You have recently released a new CD, Chasing the Unicorn (Posi-Tone, 2017), just a year after the release of Restless Idealism (Origin, 2016). Albums are like a snapshot of a timeframe, how has that musical image changed in a year? Roxy Coss: More back story is it was recorded more than ...

Article: Album Review

Nick Finzer: Hear & Now

Read "Hear & Now" reviewed by Angelo Leonardi


In questo terzo disco da leader Nick Finzer conferma l'organico e i partner presenti nei primi due: Exposition (Outside in Music, 2013) e The Chase (Origin Records, 2015). Non ancora trentenne, il trombonista di Rochester (N.Y.) s'è imposto tra i migliori strumentisti della sua generazione per la tecnica brillante, la bellezza del timbro e il rispetto ...

13

Article: Album Review

Roxy Coss: Chasing the Unicorn

Read "Chasing the Unicorn" reviewed by Paul Rauch


The title of the third, and latest release of New York based saxophonist Roxy Coss, Chasing the Unicorn (Posi-Tone, 2017), enables a vision that all artists embrace-that elusive and mythical state of total expression attained by only an elite few, that which not only presents beauty and passion to the universe, but is integrated into the ...

7

Article: Album Review

Alex Wintz: LifeCycle

Read "LifeCycle" reviewed by Dan Bilawsky


Life cycles mark and determine how we develop, where we travel, and why we arrive and thrive in different places, figuratively and literally, at any given time. That's the point that guitarist Alex Wintz's music makes here, as this project takes its cues from the larger natural theme while growing specifically from his own personal and ...

Article: Album Review

Etienne Charles: San José Suite

Read "San José Suite" reviewed by Angelo Leonardi


Il trombettista di Trinidad conferma d'essere solista e autore raffinato, capace di trovare nuovi motivi d'ispirazione nell'incontro tra il jazz moderno e il folklore dei caraibi. La suite che presenta in questo ultimo disco è un tributo ad alcune popolazioni tradizionali di Trinidad (Nepuyo), Costa Rica (Boruca) e della California (Muwekma Ohlone) e alle loro musiche. ...

3

Article: Album Review

Roxy Coss: Restless Idealism

Read "Restless Idealism" reviewed by Jack Bowers


Roxy Coss was inspired to name the second album as leader of her own group Restless Idealism after reading a passage by Hunter S. Thompson in The Rum Diary, in which he weighs the tension between “a restless idealism on one hand and a sense of impending doom on the other." While Coss, as a working ...

5

Article: Album Review

Roxy Coss: Restless Idealism

Read "Restless Idealism" reviewed by Dan McClenaghan


Upcoming saxophonist Roxy Coss opens her splendid Origin Records debut, Restless Idealism with a traditional approach on her original tune, “Don't Cross the Coss." It's a happy and assertive sound, and when she takes her first solo, her robust tone brings Coleman Hawkins to mind. Coss and her band, churning along on a well-lubricated drive train ...

6

Article: Album Review

Nick Finzer: The Chase

Read "The Chase" reviewed by Mark Sullivan


Trombonist Nick Finzer distinguishes himself as horn player, composer, and bandleader on this exciting sextet date. It's upbeat modern jazz just about all the way, aided by creative arranging. This is bop-based music, but Finzer avoids the trap of having all of the tunes follow the same head-solos-head format. There's plenty of solo space, but not ...


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