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John DiMartino: Passion Flower: The Music of Billy Strayhorn
by Dr. Judith Schlesinger
Pianist/composer/arranger/producer John DiMartino is a first-call veteran of the New York City jazz scene. This multi-recorded artist has long been a favorite of singers for his gigantic ears and intuitive, uncluttered playing—rare gifts which also enhance any instrumentalist he accompanies or arranges. All of these talents inform DiMartino's splendid Billy Strayhorn tribute, Passion Flower, where he ...
Massimo De Mattia Suonomadre: Riot
by Neri Pollastri
Secondo lavoro del quartetto Suonomadre, formazione diretta da Massimo De Mattia che si muove rigorosamente sul piano dell'improvvisazione e che perciò documenta una performance svoltasi dal vivo a Lubiana (così come il precedente lavoro, Ethnoshock, che riprendeva un concerto di Udin&Jazz). La musica e i suoi interpreti si lasciano anche in questo caso ispirare ...
Chad Taylor Trio: The Daily Biological
by Giuseppe Segala
Chad Taylor è conosciuto in particolare per essere cofondatore, insieme a Rob Mazurek, del Chicago Underground Duo, con le sue varianti nei diversi ampliamenti degli organici. La sua attività si è dipanata ad ampio raggio negli ultimi trent'anni, facendo fulcro sulla scena di Chicago prima, e di New York poi, collaborando tra l'altro con protagonisti storici, ...
Chris Montague: Warmer Than Blood
by Chris May
Spring 2020 has produced two notable albums from British guitarists. In April we had Rob Luft's exquisite Life Is The Dancer (Edition). In May we have Chris Montague's own-name debut, Warmer Than Blood. Like Luft, Montague writes engaging tunes and both albums are engagingly melodic; Montague's arrangements, however, are more open-ended, giving the music a collective ...
Sam Gill's Scattered: Perspectival
by Troy Dostert
Sydney-based saxophonist Sam Gill maintains a prodigious range of projects, ranging from the heady post-bop intricacies of his Coursed Waters quartet to Mind on Fire, an exploratory duo with his brother, vibraphonist Brad Gill. What animates Gill's music is a search for ways of bringing freedom to compositional forms, and finding surprising detours that defy expectations. ...
Pinball: Pinball
by Bruce Lindsay
"Tommy" played a mean pinball, while Brian Protheroe ran out of pale ale when he made his own “Pinball" into a hit record. This Pinball, the debut release from the Australian/French quartet of the same name, has none of the feel of a dingy games arcade, or the odour of pale ale. Instead, it is an ...
Bobby Previte, Jamie Saft and Nels Cline: Music from the Early 21st Century
by Chris M. Slawecki
Music from the Early 21st Century presents music captured during a brief trio tour by keyboardist Jamie Saft, guitarist Nels Cline and drummer Bobby Previte, performing completely improvised music. “Fundamentally, it's based around the classic organ trio formation--drums, Hammond organ and guitar," Saft explains. “But it just blows up the language to so many different universes." ...
Anna Högberg Attack: lena
by Samuel Stroup
There are moments of lena, the sophomore release from Swedish group Attack, which feel as though the ensemble is as much punk band as it is jazz sextet. Under the leadership of alto saxophonist Anna Högberg, the group plays loud and fast free jazz which is as stylish as it is raucous. Even the monochrome album ...
Gianni Iorio & Pasquale Stafano: Mediterranean Tales
by Ian Patterson
When it comes to the bandoneon it's impossible not to think of Astor Piazzolla, the great virtuoso and father of nuevo tango, whose influence and legacy is still very much felt. Since the late 1990s bandoneonist Gianni Iorio and pianist Pasquale Stafano's Nuevo Tango Ensemble has found inspiration in Piazzola's jazz- inflected tango, releasing a handful ...
Bohren & der Club of Gore: Patchouli Blue
by Karl Ackermann
Momentum is a relative notion in the dark, doom-jazz world of Bohren & der Club of Gore. In the five years since its last studio album, Piano Nights (Pias Recordings, 2014), it has scaled back to a trio with the departure of long-time drummer Thorsten Benning. The shift from the earlier “doom metal jazz" was more ...
