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Article: Album Review

Quinsin Nachoff’s Flux: Path of Totality

Read "Path of Totality" reviewed by S.G Provizer


Composer/musician/producer Quinsin Nachoff, the force behind Path of Totality, is interested in and is at least somewhat conversant with physics and other things celestial. The 'Totality' he refers to in the title is that period of complete darkness, which is achieved during a complete solar eclipse. Of course, using themes is fairly common in jazz releases ...

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Article: Album Review

Christian Scott aTunde Adjuah: Ancestral Recall

Read "Ancestral Recall" reviewed by Phillip Woolever


Throughout two decades worth of previous releases, trumpeter Christian Scott aTunde Adjuah has proved to be a master of his horn and an artist of soulfully ignited passions. With this album, the 35-year old multi-instrumentalist from New Orleans should add further accolades to his already sterling reputation. He defines current endeavors as “a map ...

Article: Album Review

Marike van Dijk: The Stereography Project feat. Jeff Taylor and Katell Keineg

Read "The Stereography Project feat. Jeff Taylor and Katell Keineg" reviewed by Vincenzo Roggero


Raccontare i suoni di New York attraverso testi e voce di chi ci vive--Jeff Taylor, vocalist balzato agli onori della cronaca nel tributo a David Bowie a opera di Donny McCaslin--e di chi vi ha vissuto per un tempo necessario ad assorbirne umori e colori--la cantante britannica Katell Keineg--amicizia con Jeff Buckley e collaborazione con Iggy ...

Article: Album Review

Etta Jones: A Soulful Sunday - Live At The Left bank

Read "A Soulful Sunday - Live At The Left bank" reviewed by Angelo Leonardi


Pochi si ricordano di Etta Jones e qualcuno la confonderà con {Etta James}}. A dispetto delle alte doti tecniche e interpretative, la cantante non ha avuto i riconoscimenti che meritava. Cresciuta ad Harlem, debuttò negli anni '40 nelle serate per debuttanti dell'Apollo Theater, si fece le ossa con Pete Johnson, Barney Bigard ed Earl Hines, ottenne ...

5

Article: Album Review

The Branford Marsalis Quartet: The Secret Between the Shadow and the Soul

Read "The Secret Between the Shadow and the Soul" reviewed by Doug Collette


Anyone who's seen the Branford Marsalis Quartet in concert is well aware of what high-flying improvisations the group can embark upon. But the foursome's abandoned approach hardly precludes due emphasis on structure---how better to highlight it than leave it behind?--which is also why this band makes studio albums as trenchant as The Secret Between the Shadow ...

5

Article: Album Review

Joey DeFrancesco: In The Key Of The Universe

Read "In The Key Of The Universe" reviewed by Doug Collette


Joey DeFrancesco has stretched himself regularly throughout the course of thirty-plus albums. Just since Project Freedom (Mack Avenue, 2017) he's collaborated very productively for two albums with the Irish soulman Van Morrison--You're Driving Me Crazy (Sony Legacy, 2018) and The Prophet Speaks (Caroline, 2018). And, on In The Key of the Universe, the organist/trumpeter reaffirms his ...

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Article: Album Review

Something Blue: Maximum Enjoyment

Read "Maximum Enjoyment" reviewed by Paul Rauch


Maximum Enjoyment is a curated effort by Posi-Tone producer Marc Free to feature the label's artists individually and collectively. The recording features a talented front-line of alto saxophonist Alexa Tarantino, trombonist Nick Finzer, and tenor saxophonist Sam Dillon, backed by an uber rhythm section featuring pianist Art Hirahara, bassist Boris Kozlov, and drummer Rudy Royston.

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Article: Album Review

Jon Heilbron: Pieces for Chord Organs

Read "Pieces for Chord Organs" reviewed by John Eyles


Although Australian double bassist Jon Heilbron had already accumulated an impressive CV for a player still in his twenties, the release of Pieces for Chord Organs marked the first album issued under his own name. His past releases consisted of one track on the Norwegian cassette compilation Nonfigurativ Musikk 11 (Nonfigurativ Musikk, 2016), the album Small ...

9

Article: Album Review

Roberto Magris: World Gardens

Read "World Gardens" reviewed by Jerome Wilson


Pianist Roberto Magris is originally from Italy but he has played all over the world, but to a great extent he has chosen Kansas City as his base. He has encountered a lot of different sounds in his travels and that is reflected in the wide variety of the music he creates on this set.

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Article: Album Review

Scott Fields Ensemble: Barclay

Read "Barclay" reviewed by Glenn Astarita


Guitarist Scott Fields' distinctive approach to composition marches to the next level on this third installment of the “Beckett Trilogy," where he uses additional Samuel Barclay Beckett (1906-1989) plays as an inspiration for these three extended works, based on the novelist's text/plots. The ensemble seemingly weaves some of Beckett's black comedy and humor into ...


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