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Dave Rempis, Brandon Lopez, Ryan Packard: The Early Bird Gets
by Giuseppe Segala
Musicista molto attivo sulla scena fremente di Chicago, Dave Rempis si mise in luce poco più che ventenne accanto a Ken Vandermark, nel 1997, abbinando i propri sassofoni alle ance del leader nella formazione The Vandermark 5, attiva fino al 2010 con sedici lavori pubblicati soprattutto dall'etichetta Atavistic. Nel contempo, alimentò formazioni proprie o a nome ...
Maria Baptist: Here & Now 2
by Geno Thackara
Maria Baptist and big bands go way back. From a lifelong fascination with orchestras to several large-ensemble collaborations and academic competitions from the '90s onward, she's always been drawn to handling impressive quantities of brass. Whatever else she gets up to--and there's certainly no shortage of other different projects to keep rotating among--her Jazz Orchestra stays ...
Anthony Braxton: Quartet (New Haven) 2014
by Mark Corroto
If, as an Anthony Braxton listener, you are confounded by his numeric compositional titles and and hieroglyphic scores, finding this music dedicated to rock, blues, funk and country music legends may give you some relief, albeit temporary. Quartet (New Haven) 2014 is a one-off meeting of the avant-garde's avant-gardist and today's heroes of both rock and ...
Sunny Murray: Homework
by John Sharpe
Sunny Murray, who died in December 2017, was one of the pioneers of free-jazz drumming, having established himself on seminal discs with pianist Cecil Taylor and saxophonist Albert Ayler during the 1960s. Homework presents Murray in 1994 in a bare-bones trio format with a pair of young Philadelphia musicians who went on to work in indie ...
Andrew Munsey: High Tide
by Mike Jurkovic
Known equally for his unconventional timing as well as his audio design and production, drummer/composer/producer Andrew Munsey takes charge of his equally unconventional, decade-long Brooklyn quintet and delivers the assertive and ambitious High Tide. Munsey's nine compositions, alive with sparse grooves and slippery time passages morphing from one odd equation to the next collective ...
Matt Mitchell: Phalanx Ambassadors
by Vincenzo Roggero
Partiamo da “Phasic Haze Ramps." Perché con i suoi sedici minuti è il brano più lungo e occupa praticamente un terzo dell'intero album. Perché è il fulcro dell'incisione, l'esaltazione del modus operandi di Matt Mitchell, il centro nevralgico dal quale tutto parte e tutto ritorna. Sin dall'inizio sono coinvolti tutti gli strumenti. Che avanzano in punta ...
Rob Schwimmer: Heart Of Hearing
by Neri Pollastri
È un artista assai singolare Rob Schwimmer, classe 1955, compositore, pianista, ma anche interprete del theremin e del continuum: nella sua autorevole carriera si è mosso in molti ambiti della musica e ha collaborato con un numero impressionante di artisti di primo piano, da{Simon & Garfunkel a Wayne Shorter, da Steve Wonder a Sam Rivers, da ...
Miguel Zenon: Sonero: The Music of Ismael Rivera
by Mark Corroto
It is not possible to listen to Sonero: The Music of Ismael Rivera by alto saxophonist Miguel Zenón without triggering thoughts of another altoist, Charlie Parker. Like Parker, Zenón has that quicksilver processing of thought and expression, but more relevant is that both artists can render any style of music into the jazz idiom. Where Parker ...
The Fictive Five: Anything Is Possible
by John Sharpe
Anything Is Possible constitutes the second release from a quintet first convened by San Francisco-based reedman Larry Ochs for his 2013 residency at The Stone in New York. Following that successful summit, and perhaps not unrelated, the pairing of trumpeter Nate Wooley and bassist Pascal Niggenkemper, players as at home in extemporized form as in adventurous ...
Michel Camilo: Essence
by Chris Mosey
Michel Camilo is a virtuoso pianist who mixes jazz, Latin and classical. Playing as part of a trio, he is famous for hitting the listener with a constant barrage of technique as dazzling as it is tiring. Fortunately, the big band format of Essence puts the lid on such displays. The album forms a retrospective on ...
