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6

Article: Album Review

Shannon Gunn: On A Mountain

Read "On A Mountain" reviewed by Dan Bilawsky

by Dan Bilawsky

Across the years, vocalist Shannon Gunn's raison d'être was the stage. A mainstay of the Canadian jazz scene for several decades, both as an influential educator and performer, she staked her claim in front of countless audiences and acquired plenty of admirers in the process. But when this respected musician passed away in July of 2020, ...

16

Article: Album Review

Adam Berenson, Scott Barnum & Bob Moses: Assemblages

Read "Assemblages" reviewed by Karl Ackermann

by Karl Ackermann

Keyboardist and composer Adam Berenson has at his disposal an arsenal of instruments, electronics, synthesizers, etc. But to hear him in the traditional acoustic piano trio setting is immensely enjoyable, while hardly “traditional." On the double-disc Assemblages, Berenson puts aside his Korg Triton Extreme, Yamaha Symphonic Ensemble and other impressively named and plugged-in instruments in favour ...

1

Article: Album Review

Kaylé Brecher: Bredux: Collected Edges

Read "Bredux: Collected Edges" reviewed by Geannine Reid

by Geannine Reid

Vocalist Kaylé' Brecher has continuously honed her skills as a creative composer and arranger. A Summa Cum Laude graduate of Temple University with a double major in performance and compositions/arranging, she has always pushed for continued growth. Brecher studied composition and arranging privately with Jim McNeely and Michael Abene, a vehicle to polish her creative writing. ...

3

Article: Album Review

Noam Lemish: Erlebnisse

Read "Erlebnisse" reviewed by Dan McClenaghan

by Dan McClenaghan

Pianist Noam Lemish carries multiple talents in his jam-packed bag of tricks: jazz artist, classical composer, improviser, accompanist. The Toronto- based artist-educator is probably best known for his leader/co-leader work in several different ensembles, including his jazz quartet and a twelve piece chamber jazz orchestra and jazz choir. With 2021's Erlebnisse he pares things down and ...

7

Article: Album Review

Sam Rivers: Undulation

Read "Undulation" reviewed by John Sharpe

by John Sharpe

Sam Rivers, who died in 2011, was one of the luminaries of the avant-garde, a Blue Note artist who played not only with Miles Davis and Cecil Taylor, but also Dizzy Gillespie and Billie Holiday. He lead his own groups for much of his life but also found time to run one of New York's premier ...

2

Article: Album Review

Szilárd Mezei Tubass Quintet: Rested Turquoise

Read "Rested Turquoise" reviewed by Mark Corroto

by Mark Corroto

Pardon the quote from the American rock band Cracker's lyrics to “Low": Sometimes I want to take you down/Sometimes I want to get you low/ Brush your hair back from your eyes/Take you down let the river flow. It's relevant because Szilárd Mezei's Tubass Quintet does carry out a mission to take you low. With a ...

39

Article: Album Review

Joe Henderson: The Complete Joe Henderson Blue Note Studio Sessions

Read "The Complete Joe Henderson Blue Note Studio Sessions" reviewed by Scott Gudell

by Scott Gudell

If an artist stamps his jazz passport with any one of these labels--Blue Note, Verve, Milestone--it's pretty much a guarantee that you've arrived in style. Tenor saxophonist Joe Henderson has traveled with all three and more. The 2021 reissue from the prestigious Mosaic Records focuses on Henderson's 1960s tenure with Blue Note offers a new opportunity ...

1

Article: Album Review

Alvear / Bondi: Sigh (Carried Away) / Grado de potencia #2

Read "Sigh (Carried Away) / Grado de potencia #2" reviewed by John Eyles

by John Eyles

Sigh (carried away) / Grado de potencia #2 is the first in a series of three albums which are part of a project by the duo comprising Chilean guitarist Cristian Alvear and Swiss percussionist & Insub co-ordinator Cyril Bondi. The series' recordings will feature interpretations of six new compositions commissioned by the duo from three Chilean ...

6

Article: Album Review

John Coltrane: A Love Supreme - Live In Seattle

Read "A Love Supreme - Live In Seattle" reviewed by Mike Jurkovic

by Mike Jurkovic

John Coltrane was moving faster than the speed of sound in 1965. Besides divining his place within the music, the world, his God, he was touring; a two week gig with Thelonious Monk at the Village Gate led to Newport then into a frenetic week in Europe. With the classic quartet plus Archie Shepp, Art Davis ...

5

Article: Album Review

Muriel Grossmann: Union

Read "Union" reviewed by Mark Corroto

by Mark Corroto

The music on saxophonist Muriel Grossmann's Union is very familiar. Is that because all the compositions had been previously released? Not at all. Actually, the versions heard here are more vibrant than their first incarnations. Chalk that up to Grossman and company working and reworking these compositions in performances. The band's familiarity with the material blossoms ...


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