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Satoko Fujii, Natsuki Tamura: Pentas: Tribute to Eric and Chris Stern
by Neri Pollastri
Coppia nella vita e nell'attività artistica, Satoko Fujii e Natsuki Tamura presentano con questo Pentas il loro settimo disco (il primo, How Many, risale al 1997). Registrato a Cracovia, esce per la polacca Not Two, che della Fujii ha pubblicato numerosi lavori. La dedica del sottotitolo è a una coppia di appassionati conosciuti a Cracovia, al ...
Misha Tsiganov: Misha's Wishes
by Edward Blanco
New York-based pianist and composer Misha Tsiganov, a well-established jazz veteran having appeared on countless albums throughout his career, presents his seventh recording as leader with Misha's Wishes, conceived and birthed during the COVID pandemic, when his time at home offered the perfect opportunity to develop this project. The long-time isolation during 2020 allowed the pianist ...
Alvear / Bondi: Latidométrica / Definite body, at sea
by John Eyles
This album is the third in a series of three releases which are part of a project by the duo Alvear / Bondi whose members are Chilean guitarist Cristian Alvear and Swiss percussionist Cyril Bondi. Across the three albums, the pair interpreted and recorded six new compositions which they commissioned, three by Chilean and three by ...
Sigurd Hole: Roraima
by David Bruggink
Norwegian upright bassist Sigurd Hole has stood out in the recent past as both a contributor (with his elegant performance on Tord Gustavsen's 2018 ECM album, The Other Side) and bandleader (through his 2018 Elvesang album Encounters). His solo explorations are equally noteworthy, as on the wide-ranging double album Lys / Mørke (Elvesang, 2020). Recorded on ...
Aron Namenwirth, Daniel Carter, Joe Hertenstein, Zach Swanson: Live at the Bushwick Series
by Alberto Bazzurro
Un quartetto di cui il chitarrista Aron Namenwirth è il primo (e sul CD l'unico) firmatario ma che abbraccia in realtà il vangelo" dell'improvvisazione collettiva (facendo non poco leva sul polistrumentismo quanto mai eclettico di Daniel Carter, che affianca alla tromba sax tenore, soprano e contralto) firma questo brillante lavoro il cui sdipanarsi (sei episodi svarianti ...
Spin Cycle (Tom Christensen & Scott Neumann): Spin Cycle III
by Dan McClenaghan
Spin Cycle III, by the group Spin Cycle, co-led by drummer Scott Neumann and saxophonist Tom Christensen, opens in a high octane mode, via Neuman's sizzling drums, Pete McCann's stinging guitar and Phil Palombi's muscular, juiced-up bass laying down a precision foundation, with the crisp articulation of Christensen's tenor sax out front. The tune is Churn," ...
David Finck: BASSic Instinct
by Jack Bowers
There's so much variety on BASSic Instinct, bassist David Finck's sixth recording as leader, that it's almost like grooving on half a dozen or more albums for the price of one. Ensembles run the gamut from duo to octet, with vocals added on three of its thirteen engaging numbers. Besides governing the rhythm, composing three of ...
Chad Fowler / Matthew Shipp: Old Stories
by Mark Corroto
Call it kismet, karma, astral influence or just plain luck, but when two musicians instantaneously click upon meeting, magic happens. Indeed, that was the case with the coming together of saxophonist Chad Fowler and pianist Matthew Shipp. The New York-based Shipp is ,of course, well known to adventurous listeners from his solo and trio recordings, plus ...
Mirio Cosottini, Mirko Guerrini: Ritratti Sonori
by Neri Pollastri
Fin dalla seconda metà del Novecento le partiture grafiche sono state uno degli strumenti privilegiati per i musicisti che si muovevano alla ricerca di nuove forme di organizzazione dei suoni, che permettessero maggiore libertà a chi suona e, perciò, maggiori spazi per la creatività. Questo è valso sia nella musica contemporanea, sia nel jazz, che anzi ...
Michael Leonhart Orchestra: The Normyn Suites
by Angelo Leonardi
Gli eclettici sviluppi orchestrali di Michael Leonhart, tra maestosi affreschi evocativi e trascinanti momenti rock e soul, tornano a entusiasmarci con questo magistrale The Normyn Suites, dove la poetica della leggerezza convive con scelte di vivo impatto ritmico e timbrico. Le due forti propensioni musicale dell'autore sono ben bilanciate: quella impressionista (che ha caratterizzato opere ammalianti ...

