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Binker Golding: Dream Like A Dogwood Wild Boy
by Karl Ackermann
Acknowledged as one of the top UK saxophonists since the 2010s, Binker Golding established himself as half of the duo Binker and Moses with drummer Moses Boyd. On the same Gearbox Records label, Golding issued his first solo album Abstractions of Reality Past & Incredible Feathers in 2019. A departure from the uninhibited free improvisation and ...
Bennie Maupin & Adam Rudolph: Symphonic Tone Poem For Brother Yusef
by Chris May
Had the multi-reed player Yusef Lateef still been alive in 2020, he would have been celebrating his 100th birthday. Sadly, Lateef passed seven years earlier. But 93 years is a good span for a jazz musician, especially one of Lateef's generation, who came of age in time to cut his professional teeth in swing bands.
Mark Winkler: Late Bloomin' Jazzman
by Richard J Salvucci
Anyone who can hold their own on a stage on in a studio with Cheryl Bentyne cannot be all bad, right? Even if one's taste runs more to Harry Connick, Jr than to Mark Murphy, it is difficult not to get seriously into Mark Winkler. Oh, he can sing, for sure, but even if he could ...
Seth Andrew Davis, Michael Eaton, Kyle Quass and Damon Smith: Ghost Tantras
by Troy Dostert
In 2020, saxophonist Michael Eaton and electronic improviser & guitarist Seth Andrew Davis together formed Mother Brain Records, designed to highlight some of the more experimental music coming out of the Midwest. The label has headquarters in Kansas City, Missouri but, if Ghost Tantras is any indication, we will not be hearing much that connects directly ...
Dave Douglas: Secular Psalms
by Jerome Wilson
Trumpeter Dave Douglas has worked with religious themes in the past, notably on Be Still, (Greenleaf Music, 2012), and he gets back into that realm on this wide-ranging 2022 album. The music is a suite commissioned by the city of Ghent, Belgium to commemorate the 600th anniversary of the creation of an altarpiece for its St. ...
Anna Kaluza / Jan Roder: Am Frankfurter Tor
by Mark Corroto
The remarkable debut Am Frankfurter Tor by the duo of alto saxophonist Anna Kaluza and double bassist Jan Roder is both an introduction (sort of) and confirmation (absolutely) of two complete musicians. It is a sort of introduction because listeners are more likely to be familiar with the recorded output of Roder in ensembles such as ...
John Scofield: John Scofield
by Mario Calvitti
Il primo disco realizzato in completa solitudine rappresenta sempre una tappa importante per qualunque musicista, anche quando arriva dopo cinquant'anni di carriera professionale come nel caso del chitarrista John Scofield, che vi si era finora sottratto per le difficoltà tecniche e le limitazioni dovute al suonare dovendosi contemporaneamente fornire un accompagnamento. In effetti, per la musica ...
Soft Machine: Facelift France and Holland
by Maurizio Comandini
Sotto l'ombrello robusto chiamato Soft Machine si nascondono in realtà parecchie band. All'inizio l'interesse del gruppo, nato nel 1966 in quel di Canterbury (anche se loro non vogliono essere considerati come esponenti del cosiddetto Canterbury Sound), era per una sorta di pop-rock patafisico, che poi ha iniziato a dilatarsi verso la psichedelia, il rock progressivo, il ...
John Scofield: John Scofield
by Ian Patterson
John Scofield has spent the best part of his illustrious career leading or co-leading trios and quartets, with just the occasional quintet or sextet outing. Even his only duo collaboration, Solar (Palo Alto, 1984) with John Abercrombie, expanded to a quartet with George Mraz and Peter Donald on three of the seven tracks. Yes, Scofield enjoys ...
Nathan Borton: Each Step
by Jane Kozhevnikova
Each Step is the debut recording by guitarist Nathan Borton. As his website accurately states, Borton draws heavily from the mid-western tradition of bebop and blues. His influences include Wes Montgomery, Grant Green and Kenny Burrell. The album offers an enjoyable tour through the straight-ahead tradition. There are three standards early on: Cole Porter's ...
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