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Zoh Amba: O Life, O Light Vol. 1
by John Sharpe
Since relocating to NYC from Tennessee, twenty one year old tenor saxophonist and flautist Zoh Amba has been keeping fast company. On her debut O Sun (Tzadik, 2022), in a sign of affirmation label boss John Zorn guests on one track, while O Life, O Light continues in the same vein as she helms a heavyweight ...
Justin Chart: The Midnight People
by Hrayr Attarian
Saxophonist Justin Chart is an inventive and versatile musician who spontaneously creates mellifluous and enthralling soundscapes. Leading a synergistic band of like-minded sidemen. Chart excels in live improvisations that are simultaneously free as well as charmingly accessible. His output in the third decade of the century has been prolific without sacrificing artistic vision. The Midnight People ...
The Relay: The Relay
by Dan Bilawsky
Artistic cooperation and cohesion are evident from the first notes of The Relay's eponymous debut. With saxophonist Dan Pratt's Four for," the composer and pianist Michael Eckroth this quartet's co-leaderssync up with a bright and fragmented melody line which seeds overlapping solos that sprout when bassist Matt Clohesy and drummer Allan Mednard enter the picture. Referencing ...
Mike Holober & Balancing Act: Don't Let Go
by Jack Bowers
With Don't Let Go, pianist Mike Holober and the octet Balancing Act seemed to have found an ideal way to cross-breed classical motifs and contemporary jazz to produce a pleasurable listening experience. Then he added lyrics. Granted, not all lyrics are superfluouseven those that are either nebulous or indecipherable, as is too often the case here. ...
Cath Roberts & Olie Brice: Conduits
by John Sharpe
In some ways one could liken Conduits to a telephone call between two friends, given that it was recorded simultaneously over the internet at the homes of baritone saxophonist Cath Roberts and bassist Olie Brice who live some 60 miles apart in England. But, while the vibe is conversational, this being an instrumental exchange, it is ...
Matthew Shipp Trio: World Construct
by Karl Ackermann
Throughout his long and prolific career, Matthew Shipp has presented several different and impressive trio formations. Among the featured members have been bassists William Parker, and Joe Morris, and drummers Guillermo E. Brown, Whit Dickey, and Susie Ibarra. In 2015, two other premier players, bassist Michael Bisio, and drummer Newman Taylor Baker stepped in as the ...
UNT Two O'Clock Lab Band: Long Way on a Blues
by Jack Bowers
The University of North Texas, generally recognized as home to one of the world's leading undergraduate Jazz Studies programs, is essentially set apart from others by the decisive proficiency of its various Lab Bands, led by the One O'Clock and Two O'Clock ensembles (there are half a dozen others). Each band has a large number of ...
Dawn Clement, Elsa Nilsson, Emma Dayhuff, Tina Raymond: Esthesis Quartet
by Paul Rauch
The Covid-19 lockdown of 2020 and 2021 mandated that musicians find ways to connect without gathering in person. The pandemic produced a litany of recordings that along with photos of masked loved ones, will serve as tacit reminders of two years of solitude and isolation. For Esthesis Quartet this meant gathering on Zoom to keep the ...
Silvan Schmid: Augmented Space
by Alberto Bazzurro
Silvan Schmid è un giovanotto di Zurigo, in parte olandese d'adozione, che c'impiega tre quarti d'ora per farci capire come non si deve suonare la tromba (o più in generale come forse si dovrebbe evitare di fare musica). Un disco al negativo (anche come livello qualitativo), quindi, questo Augmented Space, dove l'aumento di spazio del titolo ...
Miriam Elhajli: The Uncertainty of Signs
by Angelo Leonardi
Miriam Elhajli è una giovane cantautrice e musicologa attiva a New York, influenzata dal folklore venezuelano e marocchino. Una tradizione assimilata in famiglia, che lei fonde con la sensibilità del jazz moderno e i modelli di Joni Mitchell e altre vocalist degli anni sessanta/settanta. Il suo debutto discografico Observations, inciso nel 2018 e ...

