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10

Article: Album Review

Vitor Pereira Quintet: Jung

Read "Jung" reviewed by Jerome Wilson

by Jerome Wilson

Vitor Pereira is a guitarist from Portugal who is currently part of the London jazz scene. He has released four albums with his quintet, the latest inspired by the teachings of psychiatrist Carl Jung. The track titles on the album all come from Jung's terminology but no knowledge of his theories is required to enjoy the ...

5

Article: Album Review

Magnus Granberg: How Lonely Sits the City? (version for quartet)

Read "How Lonely Sits the City? (version for quartet)" reviewed by John Eyles

by John Eyles

In 2020 the Japanese Meenna label took the unprecedented step of releasing two different versions of Magnus Granberg's composition Come Down to Earth Where Sorrow Dwelleth within months of one another, the first performed by the American quartet Ordinary Affects, the second by a Japanese quartet of sho, koto, prepared piano and no-input mixing board; both ...

7

Article: Album Review

Rob Brown/ Juan Pablo Carletti: Fertile Garden

Read "Fertile Garden" reviewed by John Sharpe

by John Sharpe

Two regular collaborators, alto saxophonist Rob Brown and Argentinean drummer Juan Pablo Carletti, unite in unbridled dialogue on Fertile Garden, a studio date from August 2020. Brown's considerable talents should be well-known, vouchsafed by his tenure in the bands of bassist William Parker over many years and appearances with the likes of drummer Whit Dickey and ...

16

Article: Album Review

Theo Croker: Jazz at Berlin Philharmonic XII: Sketches of Miles

Read "Jazz at Berlin Philharmonic XII:  Sketches of Miles" reviewed by Mark Sullivan

by Mark Sullivan

Let us just cut to the chase and say this is a terrific collection of live concert interpretations and arrangements of acoustic Miles Davis music, drawing from recordings originally released between 1956 and 1968. This period arguably includes his most beloved output, with a place in the hearts of most jazz fans. The first disc in ...

38

Article: Album Review

Tobias Hoffmann Jazz Orchestra: Conspiracy

Read "Conspiracy" reviewed by Jack Bowers

by Jack Bowers

While listening to Conspiracy, German-born composer-arranger Tobias Hoffmann's second album, the thought arose that “Stan Kenton would have loved this." Like Kenton, Hoffmann is an explorer who approaches music from a cerebral point of view but never overlooks the need to swing and to keep an audience engaged by varying the tone, tempo and color of ...

10

Article: Album Review

Trevor Dunn: Séances

Read "Séances" reviewed by Mike Jurkovic

by Mike Jurkovic

Holy bank shot Batman! Is Seances, (bassist Trevor Dunn's dissertation on the how humans tend to forget and repeat, ever a radical and electrifying take on things. Anything and everything goes the distance for Dunn and the combined mad genius of his Trio-Covulsant cronies, wickedly cool guitarist Mary Halvorson and the chaotic meter of drummer Ches ...

8

Article: Album Review

Ernesto Cervini: Joy

Read "Joy" reviewed by Dan McClenaghan

by Dan McClenaghan

Joy. That's how Canadian drummer Ernesto Cervini rolls. All of his musical undertakings--and there are many--strut along the sunny side of the street with smiles on their faces, carnations in their lapels. Indeed, in his side gig as the boss of Orange Grove Publicity--representing some of Canada's finest jazz artists-- joy, positivity and general all around ...

8

Article: Album Review

Edrix Puzzle: Coming Of The Moon Dogs

Read "Coming Of The Moon Dogs" reviewed by Chris May

by Chris May

There are precious few records out there that one feels confident in recommending to connoisseurs of cosmic jazz-rockers The Comet Is Coming, but Coming Of The Moon Dogs is one of them. The disc is the first full-length album from Edrix Puzzle, another British band who are stretching the definition of jazz while being audibly across ...

3

Article: Album Review

Andreas Vollenweider: Slow Flow & Dancer

Read "Slow Flow & Dancer" reviewed by Robin B James

by Robin B James

Instrumental music featuring the harps of Andreas Vollenweider, who plays his instruments traditionally, meaning in the classical style, and he plays in a jazzy way, and he plays in a new age style, and here for several tracks he rocks with an African beat. Remember, Vollenweider created the electro-acoustic harp in 1975, which changed everything.

7

Article: Album Review

Playfield: Stepping Out

Read "Stepping Out" reviewed by Mike Jurkovic

by Mike Jurkovic

577 Records founder, chief architect, free blowing, free willed, harmonic rebel and reed master Daniel Carter has never shied away from the unknown metropolis. From the silent instant which captures the imagination and sends it sleighing its own peaks and valleys, Carter, and whoever chooses to accept his challenge to participate, let the moment move them ...


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