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The Attic—Rodrigo Amado / Gonçalo Almeida / Onno Govaert: Love Ghosts
by John Sharpe
Portuguese tenor saxophonist Rodrigo Amado has steadily become one of the premier players in the European free jazz arena, having banked the experience that comes through working with the likes of multi-instrumentalist Joe McPhee, trumpeter Peter Evans and pianist Alexander von Schlippenbach, reaping a rich dividend. Just how can be readily heard on Love Ghosts, the ...
Scott Burns / John Wojciechowski / Geof Bradfield: Tenor Time
by Jack Bowers
Tenor Time unveils the talents of a trio of Chicago-area tenor saxophonists, each of whom--presumably—solos on each of the album's eight numbers. The qualifier is necessary because the solo order is not given and, skillful as they are, the tenors sound much like triplets at the same workbench. That is to say that in terms of ...
Karl Berger, Max Johnson, Billy Mintz: Sketches
by Mike Jurkovic
An exquisitely palatable sense of dance permeates the gregarious music bassist Max Johnson brings to the fore on Sketches, the second of two heady 2022 releases. Whereas the first, Orbit of Sound (Unbroken Sounds), teams him up with the rule-elusive sax and flute of Anna Weber and drummer Michael Sarin, Sketches presents a slightly more straight ...
Esbjörn Svensson: HOME.S.
by Mike Jurkovic
Akin to when people first sat in elegant staterooms listening to Chopin, Mendelssohn, Mahler, or Erik Satie seek the muse, HOME.S stands as the first solo performance by the late Swedish pianist Esbjörn Svensson and will quite possibly be considered the grandest moment of any other forthcoming posthumous releases. Recorded mere weeks before the ...
Donald Byrd: Donald Byrd Live: Cookin' With Blue Note at Montreux
by Peter Jones
What a treat it must have been in 1973 to attend the Montreux Jazz Festival: the featured artists that year included Dexter Gordon, McCoy Tyner, Chico Hamilton, Sam Rivers, Bobbi Humphrey, Dr John, Marlena Shaw, Bobby Hutcherson... and Donald Byrd with his Tentet, whose July 5 performance is captured on this album. It was ...
Gyedu-Blay Ambolley: Gyedu-Blay Ambolley & Hi-life Jazz
by Peter Jones
This is reportedly the 35th album from Ghanaian singer/rapper/tenor saxophonist Gyedu-Blay Ambolley. But although he has toured Europe and the US extensively, he remains relatively unknown in what we call “the West." It is a situation that ought to change, and if there was any justice in the world, this is the album that would do ...
Dmitry Baevsky: Kids' Time
by David A. Orthmann
Dmitry Baevsky is a jazzman in his middle years, a period when many players consolidate youthful influences and put their stamp on the rarefied practices of the mid- to-late 20th century. The alto saxophonist has recorded for several labels, and travels widely as a leader and sideman; to his credit, he continues to give the impression ...
Kristijan Krajnčan: Zabučale Gore: The Mountains Roared
by Ian Patterson
The drumming cellist is not as common a species as perhaps it should be, judging by Zabučale Gore (The Mountains Roared), the third full-length album by multi- instrumentalist Kristijan Krajnčan. The Slovenian drummer and cellist spent two years exploring his country's folk music and mythology to better understand the national identity. That the results are emotionally ...
Gio Washington-Wright and Michael Breaux: Maxine
by Nicholas F. Mondello
In 1982, after his Steely Dan tenure with the late Walter Becker and striking out on his own, pianist/composer Donald Fagen released “Maxine" as a single. It was also included in Fagen's first solo album, The Nightfly (Warner Brothers Records, 1982). The track and album featured some of the finest studio musicians, including the famed Brecker ...
Ahmad Jamal: Emerald City Nights: Live at the Penthouse
by Alberto Bazzurro
Come cadeau da far(si) in prospettiva più o meno natalizia, la Jazz Detective—nuova etichetta del produttore Zev Feldman, sempre attivissimo nel riesumare registrazioni inedite (come qui) o comunque rare—recupera una serie di live sessions dei trii che Ahmad Jamal diresse attorno alla metà degli anni Sessanta e raccoglie il tutto in due doppi CD (o doppi ...
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