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Camilo Valencia / Richard Bravo: Made in Miami
by Dan Bilawsky
Miami is a melting pot where people and musics of all stripes share space and influence, cross-pollinating to create a sound and culture like no other. That fact provides the foundation for this upbeat collection. Blending elements sourced from numerous musical styles and languages including salsa, pop, samba, jazz and R&B, among others, multi-instrumentalist Camilo Valencia ...
Art Ensemble Of Chicago: The Sixth Decade: From Paris to Paris
by Giuseppe Segala
Parigi è città fatale per l'Art Ensemble of Chicago: nel 1969 fu traguardo del prodigio artistico e umano preparato negli anni precedenti da Roscoe Mitchell, Malachi Favors e Joseph Jarman, che avevano incrociato le proprie esperienze dapprima al Wilson Junior College di Chicago, nel 1961, poi nel lavoro con la Experimental Band di Muhal Richard Abrams, ...
T.R.E.: Altrove
by Neri Pollastri
Non è facile parlare di Altrove, ultimo disco di T.R.E., alias Tri Razional Eccentrico, la meravigliosa formazione composta da Alessandro Giachero al pianoforte, Stefano Risso al contrabbasso e Marco Zanoli alla batteria. Non lo è, perché la musica che il trio ha sempre espresso e che anche qui si manifesta in tutta la sua ricchezza, non ...
Joe McCarthy's New York Afro Bop Alliance Big Band: The Pan American Nutcracker Suite
by Jack Bowers
Yes, Peter Tchaikovsky's timeless Nutcracker Suite is basically holiday music; and, yes, the 2022 holiday season is squarely in everyone's rear-view mirror. Even so, there is always room for a fresh approach to the annual festive staple, which is what drummer Joe McCarthy's New York Afro Bop Alliance Big Band brings to The Pan American Nutcracker ...
Gordon Grdina's The Twain feat. Dōjō and Kōichi Makigami: Gordon Grdina's The Twain feat. Dōjō and Kōichi Makigami
by Doug Collette
Any music lover impressed with the prolific output of multi-instrumentalist Gordon Grdina over the last few years would no doubt describe his work with The Twain as a wondrous discovery. Three hour- long sets were recorded at Tokyo's GOK Studio in 2019, then edited down to a final approximately seventy minutes for a late 2022 release. ...
Bodurov Trio: Senkya Padna
by Ian Patterson
Following the intimate Solo In Bonn (Opto Music, 2019) and Coalescence (Opto Music, 2020)--a duo album with electronics producer Ivan Shopov--pianist Dimitar Bodurov returns to the bread and butter of his trio with Senkya Padna. Flanked by long-standing collaborators Jens Dueppe on drums and Mihail Ivanov on bass, Bodurov once more draws on Bulgarian folk music ...
Francisco Mela: Music Frees Our Souls Vol. 2
by John Sharpe
The three protagonists gaze out from the cover, variously smiling, appearing wryly amused, and looking stern. The image suggests a will to tackle things head on, without artifice or adornment. To tell it like it is. And that is the result: a thrilling no-nonsense representation of the combined artistry of drummer Francisco Mela, pianist Cooper-Moore and ...
Bob Dylan: Fragments - Time Out of Mind Sessions (1996-1997): The Bootleg Series, Vol. 17
by Mike Jurkovic
Dylanologists of every stripe and level of Dylanalia had it partly right when Bob Dylan released Time Out Of Mind (Columbia) in mid-September 1997. “Great album!" They/we/us all screamed. “Great songs!" “Dylan's best since the totemic Blood On the Tracks!" (Columbia, 1975) “Mid-career masterwork!" “The Bard's New Relevance!" If you weren't there the first time it ...
Eddie "Lockjaw" Davis and Shirley Scott: Cookin’ with Jaws and the Queen: The Legendary Prestige Cookbook Albums
by Jim Trageser
In a sign that the art of the box set continues to evolve, and that history never runs in a straight line, a lavishly produced box set of tenor giant Eddie “Lockjaw" Davis and organist Shirley Scott is being released not only on CD but on high grade vinyl LPs and downloads as well.
The Don Rendell / Ian Carr Quintet: Warm Up
by Chris May
British modern jazz was gaining new confidence in itself in 1965, when Warm Up, subtitled The Complete Live At The Highwayman 1965, was recorded. It needed to be. As Simon Spillett writes in his liner notes, at the time “British jazzmen bravely fought a battle on two fronts, one against the stranglehold of American influence, the ...
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