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George Coleman: Live At Smalls Jazz Club
by Pierre Giroux
If you are an aficionado of tenor saxophonists with a big, bold, biting tone who can run changes in the blink of an eye, then George Coleman is your man. Now in his 88th year, over the course of his long career, he has had a gamut of experiences including B.B. King (1952/1955-56), Max Roach (1958-59), ...
Charlie Parker: At Birdland 1950 Revisited
by Chris May
When it comes to live recordings of Charlie Parker, Jazz At Massey Hall, from a concert in Toronto in May 1953, has been widely considered the slam-dunk number one ever since Charles Mingus released it on his Debut label in 1956. Forensicists might favour the 7-CD The Complete Dean Benedetti Recordings Of Charlie Parker (Mosaic, 1990), ...
Mark Dresser: Tines of Change
by Troy Dostert
Anyone familiar with the work of bassist Mark Dresser knows that he is an uncompromising innovator, always dedicated to pushing his music into new territory; and if that requires novel technical modifications to his instrument itself, then so be it. He has partnered with fellow bassist Kent McLagan as far back as 2001 to create adapted ...
Alex Weitz: Rule of Thirds
by Jack Bowers
Tenor saxophonist Alex Weitz's third album, Rule of Thirds, is a quartet date with guests--on seven of its nine tracks. In addition to playing tenor, Weitz wrote all but one of those numbers, Cole Porter's seductive “Love for Sale." Like many saxophonists these days, Weitz has excellent technique, which means he plays a lot of notes, ...
Jon Raskin / Phillip Greenlief: 2 + 2 with Jen Baker & Liz Allbee
by Hrayr Attarian
Innovative saxophonists Jon Raskin and Phillip Greenlief use graphic scores for a series of recordings, each with a similar pair of instruments. These collaborations are called 2 + 2. The first of these is the provocative 2 + 2 with Jen Baker & Liz Allbee. As the title indicates Raskin and Greenlief join two brass players, ...
Bokani Dyer: Radio Sechaba
by Dan Bilawsky
Bokani Dyer has already established himself as one of the leading musical voices of his generation in South Africa. But with Radio Sechaba--the heralded multi-hyphenate's first release on aural arbiter Gilles Peterson's Brownswood imprint--he expands his voice, reach and notability. Synthesizing a set of broad influences and building sounds of possibility surrounding his homeland and a ...
Anthony E. Nelson Jr.: Swinging Sunset
by Chris May
Swinging Sunset, New Jersey-based tenor saxophonist Anthony E. Nelson Jr.'s fifth album on his Musicstand label, is an unpretentious, undemanding and utterly enjoyable celebration of the organ trios of the 1950s and 1960s. From the first bars of the opener, Eddie Heywood's “Canadian Sunset," it feels like we are in for a good time and, over ...
Bill Evans: Treasures: Solo, Trio and Orchestra Recordings from Denmark (1965-1969)
by Mike Jurkovic
At first one might wonder how long good fortune can last so that previously unheard and unreleased Bill Evans sets such as Treasures: Solo, Trio and Orchestra Recordings from Denmark (1965-1969) seemingly fall from the heavens on a regular basis. Is it not fact that all good things must come to an end is the cruelest ...
Magos Herrera: Aire
by Angelo Leonardi
Se amate l'universo musicale latino nelle sue varie espressioni--più o meno jazzisticamente orientate--verrete coinvolti profondamente da questo disco intenso e sorprendente. Magos Herrera è una cantante e compositrice messicana poco nota in Italia ma considerata tra le massime vocalist contemporanee. Magos risiede a New York dal 2008 e in due decenni ha pubblicato dischi ...
Ben Sher: Samba for Tarsila
by Jack Bowers
This is happy music with a Latin flair, splendidly conceived and superbly performed by guitarist Ben Sher's New York-based quartet--a flavorful treat for those who relish music from south of the border. Before appraising the themes, it is perhaps best to begin by answering the question on most listeners' minds: who is (or ...
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