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Noah Haidu: Standards
by Pierre Giroux
A standard is defined as a musical composition that has become a part of the standard repetoire. The conventional wisdom suggests that this definition applies to popular songs of the twentieth century based on the premise that their popularity has lasted beyond the period of their initial publication. Pianist/composer Noah Haidu has taken this to heart ...
Antonio Adolfo: Bossa 65
by Pierre Giroux
Composer, arranger and pianist Antonio Adolfo has a discography which extends to the very early days of the Bossa Nova craze that swept through Brazil and into North America. With his deep roots in the Bossa tradition, Adolfo is an internationally recognized Brazilian jazz personage. Many of his original compositions have been covered by artists such ...
Pat Metheny: Dream Box
by Nenad Georgievski
Guitarist Pat Metheny pushes the boundaries of musical exploration once again with Dream Box, Featuring nine “found tracks" for the quiet electric guitar, this collection showcases Metheny's spontaneous creativity and unique musical vision. During a deep dive into his own musical archives, Metheny unearthed a folder on his laptop's hard drive containing forgotten recordings that surprised ...
East Axis: No Subject
by Karl Ackermann
Pianist Matthew Shipp, bassist Kevin Ray, and drummer Gerald Cleaver return for No Subject, the sophomore release from the quartet East Axis. One point on the axis has changed with the journeyman, multi-reedist Scott Robinson replacing saxophonist Allen Lowe. Robinson is a veteran of many prestigious and diverse groups including the Toshiko Akiyoshi Jazz Orchestra, Maria ...
Samuel Blaser: Routes
by Chris May
The Jamaican trombonist Don Drummond (1934-1969), the inspiration for Routes, was in certain respects a mid-twentieth Jamaican parallel of the New Orleans cornetist Buddy Bolden (1877-1931). Bolden pioneered jazz in the US, Drummond in Jamaica. Both achieved mythic proportions during their lifetimes and both their legends endure. Both, tragically, spent their final years in what were ...
Marjorie Barnes & Millennium Jazz Orchestra: Both Sides Now
by Jack Bowers
Marjorie Barnes, a native New Yorker who has been living in Europe for almost fifty years including several decades in the Netherlands, summons her many years of experience to brighten and embroider Both Sides Now, her impressive debut recording with the world-class Millennium Jazz Orchestra (MJO). Barnes sang in the mid-1970s with the multiple Grammy Award-winning ...
Various Artists: Hip Holland Hip
by Chris May
This carefully curated disc is subtitled Modern Jazz Classics 1950-1970 and is a collection of tracks recorded by Dutch musicians and released in the Netherlands mostly in the late 1950s and early 1960s. Few of the musicians other than a sprinkling of American guest artists such as Herbie Mann and Art Farmer will ...
Keigo Hirakawa: Pixel
by Neil Duggan
Science and jazz do not come up too often in the same conversation. Even more unlikely is that spatio-spectral colour filter array design will feature. Unless you happen to be talking with the Ivy League-educated researcher and professor at the University of Dayton, Ohio, Keigo Hirakawa. His work in image processing is part of a major ...
Wayne Escoffery: Like Minds
by Dave Linn
Wayne Escoffery was born in London and raised in New Haven, Connecticut. He began playing the saxophone at the age of 11, later studying at the Educational Center for the Arts in New Haven and the New England Conservatory of Music in Boston. In the late 1990s, Escoffery started gaining recognition on the jazz scene with ...
Karl-Henrik Ousbäck: Confluence
by C. Andrew Hovan
Drummers do not always get the respect they deserve and yet, in a jazz context, their contributions are an integral part in the overall success of the music. Aside from genre leaders such as Tony Williams, Elvin Jones, and Art Blakey, relatively few drummer-led sessions have entered into the upper echelon of recorded jazz ...
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