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The Nimmons Tribute: Volume 2 - Generational
by John Chacona
Anyone who listened to Canadian radio after the adoption of the so-called Canadian Content requirement in the '70s probably heard a lot of Phil Nimmons' music. To be sure, the clarinetist, composer and arranger had achieved some recognition south of the 49th parallel through his RCA recordings of the '50s but, by choosing to base his ...
Nadje Noordhuis + James Shipp: Multitudes
by Dan Bilawsky
Trumpeter Nadje Noordhuis and percussionist/synthesist James Shipp have proven to be a most compelling pair. Their Indigo (Little Mystery, 2017)--a duo album built on a shared outlook and fellow feeling--was a faithful introduction to the sound of simpatico souls in musical motion. And this eagerly awaited follow-up, while playing true to this continuing story of two, ...
The Remote Viewers: This Strange Place
by John Eyles
South London group The Remote Viewers first came together as a three-sax unit in 1997 when it comprised Adrian Northover, David Petts and Louisa Petts, who all played saxophones, with both Petts playing synths, and Louisa singing. Their first album, Low Shapes in Dark Heat (Leo Lab, 1998) was studio-recorded by the Petts. Of its twelve ...
Mary Stallings: Songs Were Made to Sing
by Dave Linn
One of eleven children, Mary Stallings was born in San Francisco in 1939. In her teens, she began singing in San Francisco night clubs and performed with Ben Webster, Earl Hines, Red Mitchell, Teddy Edwards, and Wes Montgomery. Before graduating from high school, she joined R&B singer Louis Jordan's Tympani Five. In the early '60s, she ...
Altin Sencalar: In Good Standing
by David A. Orthmann
In many ways, In Good Standing is a jazz aficionado's dream. Trombonist, composer, and arranger Altin Sencalar's inaugural disc as a leader for Posi-Tone encourages granular, analytical consideration. It is worthwhile to pause and think about the details of inspired performances, ponder the efficacy of Sencalar's original compositions and interpretations of gems penned by jazz giants, ...
Peter Lewis: Imagination
by Doug Collette
Peter Lewis' songs are among the most distinctive entries in the body of work by that great but woefully unsung San Francisco band of the '60s, Moby Grape. “Sittin' By The Window" and “Changes, Circles Spinning" illustrate his unique fingerpicking guitar style, the circular nature of which sounds as effortless as the slightly breathy phrasing of ...
Charlie Apicella and Iron City Meet the Griots Speak: Destiny Calling
by Troy Dostert
Since the early 2000s, guitarist Charlie Apicella's Iron City trio has devoted itself to maintaining the tradition of soulful, organ-based jazz. The aptly-titled Groove Machine (OA2 Records, 2019) preceded Destiny Calling, the group's 2023 album. And the latest one is quite a change-up. For this outing, Apicella has teamed up with The Griots Speak, an all-star ...
Tim Carman Trio: King Comfy
by Doug Collette
On King Comfy, Tim Carman Trio plays with such irrepressible glee that it is difficult, if not impossible, to resist the vivacious charm of their musicianship. Over the course of the album's forty-minutes, its tongue-in- cheek title becomes as much (or more) of a direct reflection of the band's natural fluidity as its ingratiating cover photo. ...
Kevin O'Connell Quartet Featuring Adam Brenner: Hot New York Minutes
by Neil Duggan
Finding one's own voice as a musician is never an easy process; extending that to taking the spotlight and leading your own band is another step up. For some, it can take years. Kevin O'Connell is an example of exactly that. He has been a jazz pianist since the 1980s, working with the Clifford Jordan Quartet ...
Antonio Adolfo: Bossa 65
by Katchie Cartwright
In 1963, a seventeen-year-old Antonio Adolfo was already gigging professionally on the exploding bossa nova scene in Rio de Janeiro, his hometown. His career has continued unabated. For decades, he has been putting out a steady stream of admirable albums, earning critical praise and multiple Grammy nominations. His releases have often focused on the work of ...
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