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Apartment House: Morton Feldman Violin and String Quartet
by Marat Ingeldeev
In the late 1970s, American composer Morton Feldman began writing exceptionally lengthy compositions. Not only did these works push the boundaries of traditional concert duration, but more importantly, they explored how the composer could tackle the subject of sheer scale itself. Speaking about this challenge, Feldman said: “Up to one hour you think about form, but ...
Yossi Itskovich: Times
by Chris May
Trombonist and composer Yossi Itskovich is a relatively new arrival on the jazz scene, having only discovered the music in his mid-thirties and having up until then been part of the classical music world. Times is his debut album. Like most debuts, the all-originals, seven-track album is a tad self-conscious and tries a ...
Henry Threadgill Ensemble: The Other One
by Troy Dostert
Now that Henry Threadgill has begun receiving the accolades he has long deserved--the Pulitzer Prize he won in 2016 for In for a Penny, In for a Pound (Pi Recordings, 2015) being just the most prominent example--it is impressive to find him still relentlessly stretching himself as a performer and composer. Since his first forays into ...
Rempis Percussion Quartet: Harvesters
by Mark Corroto
A couple quotes from the 1980s' film The Blues Brothers starring John Belushi and Dan Aykroyd seem appropriate for Harvesters, the double album by The Rempis Percussion Quartet. Elwood Blues: “It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark... and we're wearing sunglasses." Jake Blues: “Hit ...
A Supreme Love
by Duncan Heining
Alan Skidmore is one of the finest saxophonists to come out of the United Kingdom, Europe or indeed anywhere. In fact, it was hearing Skidmore's tenor solo on “Have You Heard?" from John Mayall's Bluesbreakers with Eric Clapton (Decca, 1966) that encouraged a young Michael Brecker to take up the instrument. Skidmore had also served his ...
Louis Stewart & Noel Kelehan: Some Other Blues
by Ian Patterson
Hot on the heels of the reissue of Louis Stewart's seminal 1977 album Out On His Own (Liva Records, 2023)--one of the great solo jazz guitar albums--the revitalized label inspired by the Dublin guitarist launches another gem from its treasure trove of archival recordings. Previously unreleased, Some Other Blues captures Stewart in a duo setting with ...
Sbatax: Spires
by John Sharpe
On their third album the Swiss-French pairing of saxophonist Bertrand Denzler and drummer Antonin Gerbal dishes up a double helping of fiery free jazz. While Denzler revels in the exquisitely sparse detail of outfits such as the electro-acoustic Trio Sowari, he also has a track record in weightier realms--witness his contributions to Neuköllner Modelle with veteran ...
Joe Farnsworth: In What Direction Are You Headed?
by Dave Linn
Joe Farnsworth grew up in a musical family and began playing drums at a young age. He later attended and graduated from William Patterson College in New Jersey, where the staff included Harold Mabern and Cedar Walton, who would prove instrumental in kick-starting his career. He landed a gig with Benny Golson that lasted eight years ...
Laurence Crane: Natural World
by John Eyles
Compared to the number of albums which many jazz or improvising musicians release, it can often be an eye-opener to glance at the discography of musicians from other genres. For example, although composer Laurence Crane was born in Oxford in 1961, is Professor of Composition at the Guildhall School of Music and Drama, and his music ...
Andre Previn and his pals Shelly Manne & Red Mitchell: West Side Story
by Richard J Salvucci
André Previn was always something of a mystery to jazz critics and listeners. By common consent, he had astonishing instrumental technique. On the other hand, a lot of listeners were sure they could hear everyone but Previn in his playing. Along with Shelly Manne, he sold a lot of records and probably made a good deal ...
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