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Ganavya: Forgive Me My
by Chris May
London-based multi-reedist Shabaka Hutchings' interest in South and East Asian music, which recently manifested itself with his embarkation on an in-depth study of Japanese shakuhachi flutes, continues to spread its wings. Hutchings does not play on singer and composer Ganavya's meditative single “Forgive Me My," but he produced the track and it is released on his ...
Charu Suri: Raga Rag No. 1 (Bhimpalas)
by Dan McClenaghan
Pianist Charu Suri was raised in Chennai, India, a place that influenced her artistry. New Orleans, another of her influences, lies a hemisphere away. A transplant from India to the United States, Suri brought the musical roots of Hindustani (North Indian) music to her new home. When she found her way to the Big Easy, she ...
Seth Kibel: Clown with a Stick
by Jack Bowers
A stick? Most definitely. A clown? Most definitely not. Seth Kibel is far more virtuoso than court jester, especially on his main axe, the clarinet (sometimes referred to as a liquorice stick), as he proves time and again on this inclusive and thoroughly delightful album. Okay, so the music is for the most ...
Morton Feldman: Violin and String Quartet
by John Eyles
With a running time of just over two hours, Morton Feldman's 1985 composition “Violin and String Quartet" is one of his longer ones, even though it falls far short of such pieces as 1984's “For Philip Guston" at four hours or 1983's “String Quartet (II)" at over six hours without a break. Their durations have made ...
Stephen Gauci / Francisco Mela / William Parker / Matthew Shipp: Live at Scholes Street Studio
by John Sharpe
Tenor saxophonist Stephen Gauci provokes blistering unfettered performances from the starry cast on another installment of Live At Scholes Street Studio. Gauci embodies a fierce DIY ethos which manifests in producing multiple concert series in NYC as well as releasing consequent material on his own label and posting video documentation on his website. On this occasion, ...
Slowly Rolling Camera: Flow
by Geno Thackara
At first glance, it looks like an album they were always destined to make. Natural flow has been one central characteristic of Slowly Rolling Camera since the start. From their beginnings in quasi-trip-hop/jazztronica fusion, through a shift into a picturesque instrumental outfit, they have always been effortlessly fluid and comfortable with a good slow burn. They ...
Funkwrench Blues: Soundtrack For A Film Without Pictures
by Chris May
Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. ...
The Schwager/Oliver Quintet: Senza Resa
by Jack Bowers
Even though Canada's admirable Schwager/Oliver Quintet carefully dots every “I" and crosses every “T" on Senza Resa, something else seems to be missing, and that something could be a clear sense of purpose. This is an album on which everyone plays well, the songs are by and large respectable, and yet the whole somehow adds up ...
Mark Dresser: Tines of Change
by Jeff Schwartz
Since his arrival as a member of Anthony Braxton's mid-1980s quartet, Mark Dresser has been expanding the sonic palette of the upright bass. Like Barre Phillips, Barry Guy, and Joëlle Léandre before him, Dresser drew from both the classical avant-garde of players such as Bertram Turetzky and Fernando Grillo and the more intuitive improvisational approaches of ...
Megumi Yonezawa: Resonance
by Neri Pollastri
La pianista giapponese Megumi Yonezawa, da tempo residente a New York e collaboratrice stabile di Greg Osby, esce per Sunnyside con il secondo album a proprio nome, un piano trio nel quale mescola brani di propria composizione, alcuni standard e un'improvvisazione totale.La cifra del lavoro è quella di un modern jazz estremamente ricco di ...
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