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9

Article: Album Review

Shelly Manne & His Men: Jazz From The Pacific Northwest

Read "Jazz From The Pacific Northwest" reviewed by Pierre Giroux

by Pierre Giroux

Shelly Manne & His Men are presented in two iterations in never-before-released live recordings from the 1958 Monterey Jazz Festival and from a 1966 date at The Penthouse in Seattle entitled Jazz From The Pacific Northwest. In this deluxe limited edition 180-gram 2LP set, co-produced for release by the estimable Zev Feldman and Cory Weeds, the ...

8

Article: Album Review

Kjetil Mulelid: Agoja

Read "Agoja" reviewed by Chris May

by Chris May

Over the course of three albums with his trio between 2019 and 2022, and the exquisitely pretty solo set Piano (Rune Grammofon, 2021), keyboardist Kjetil Mulelid has emerged as a bright new star in Norwegian jazz. His playing is vivacious, his composing melodic and his overall sound consonant but full of unexpected twists and turns. Mulelid ...

10

Article: Album Review

Nils Økland Band: Gjenskinn

Read "Gjenskinn" reviewed by Karl Ackermann

by Karl Ackermann

Norwegian Nils Økland is known for his versatility in exploring various musical styles and string instruments. He is renowned for his virtuosity on the Hardanger fiddle, a Norwegian violin with eight or nine strings. His style often incorporates elements of Nordic traditional music, classical, jazz, and world music, creating a unique blend of original and unusual ...

7

Article: Album Review

Owen Broder: Hodges: Front and Center: Vol. Two

Read "Hodges: Front and Center: Vol. Two" reviewed by Dan McClenaghan

by Dan McClenaghan

At times, while listening to random classics in the collection, one can have the idea that everything in jazz evolved from the late '40s to early '50s bebop. But before bop was swing. Duke Ellington stayed with swing through bop, funk, and fusion. And so did alto saxophonist Johnny Hodges (1906-1970), who played in Ellington's band ...

16

Article: Album Review

Lafayette Gilchrist: Undaunted

Read "Undaunted" reviewed by Pat Youngspiel

by Pat Youngspiel

On Undaunted Washington D.C.-raised and Baltimore-educated pianist Lafayette Gilchrist continues his idiosyncratically swinging trajectory with deep grooves, memorable lines and the gritty, unapologetic type of interplay that first brought him international acclaim on the 2004 recording The Music According To Lafayette Gilchrist. Few will have forgotten the catchy track “Assume The Position" off that album, used ...

3

Article: Album Review

Joëlle Léandre / Vinicius Cajado: Storm Dance

Read "Storm Dance" reviewed by John Sharpe

by John Sharpe

Now 73, French bassist Joëlle Léandre is a consummate improviser allying unrivaled facility to boundless imagination. In a massive discography of over 250 entries, she has especially favored the duo format. Within that, there is a prominent strand of encounters with other bassists, including all the premier exponents of the instrument. To that tally on Storm ...

Article: Album Review

Eric Vloeimans, Will Holshouser: Two for the Road

Read "Two for the Road" reviewed by Vic Albani

by Vic Albani

Registrato dal vivo nel corso di un tour di concerti in Olanda nel 2021, Two for the Road è il secondo album del duo formato da Eric Vloeimans e Will Holshouser capace di mostrare forse più che nel primo lavoro, Eric & Will, la capacità di scrittura espressiva, improvvisazione virtuosa e la vasta territorialità di influenze ...

3

Article: Album Review

Blewitt: Exploring New Boundaries

Read "Exploring New Boundaries" reviewed by Neil Duggan

by Neil Duggan

Formed with the intent of making a synthesis between classical music and jazz, Blewitt are an Italian trio, with Exploring New Boundaries being their debut album. That combination may have been their original intent, but along the way, they have added rock, avant-garde rhythms, jazz standards and strands of Mediterranean folk music to make an intriguing ...

22

Article: Album Review

Mal Waldron / Steve Lacy: The Mighty Warriors

Read "The Mighty Warriors" reviewed by Karl Ackermann

by Karl Ackermann

Mal Waldron and Steve Lacy first played together in 1958 at the Bowery neighborhood's Five Spot. Their association was long, if not necessarily prolific on record. Though their personal styles contrasted, they frequently existed in a parallel universe. Both expatriates lived in Paris, were predisposed to the avant-garde, and shared a deep appreciation for Thelonious Monk's ...

75

Article: Album Review

Glod / Ramond / Kugel: No ToXiC

Read "No ToXiC" reviewed by Glenn Astarita

by Glenn Astarita

The collaborative marvel that is No ToXiC, hatched in the fertile grounds of NEMU Records, is less an album and more of a dare--a sonic gauntlet thrown at the feet of free jazz and improvisation. Roby Glod (who flirts with both alto and soprano saxophones), double bassist Christian Ramond and drummer Klaus Kugel take us on ...


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