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Gerald Cleaver: The Process
by Mark Corroto
Will the latest offering by Gerald Cleaver quiet the haters and jackals? Listeners accustomed to his drum work with Craig Taborn, William Parker, Daniel Carter, JD Allen, etc. etc., might believe they have to make a choice, one similar to the historic divide Miles Davis created when he went electric. Starting with Cleaver's recordings for Positive ...
Franz Koglmann: Near Blue - A Taste of Melancholy
by Alberto Bazzurro
Inciso giusto un anno fa, nell'ottobre 2023, questo nuovo lavoro di uno dei musicisti forse meno valutati (forse anche perché appartati, anche stilisticamente) della scena jazzistica (in senso lato) contemporanea com'è fin dai tardi anni Settanta, Franz Koglmann (in Italia lo conoscemmo grazie alla Mitteleuropa Orchestra di Andrea Centazzo), ha la singolarità di essere “raddoppiato," nel ...
Modney: Ascending Primes
by Vincenzo Roggero
"Ascender" ti investe con la forza di un uragano. Poco più di sette minuti dove il solitario violino di Joshua Modney, collegato ad un pedale distorsore, scatena un'onda d'urto di emozioni che stordisce. Ingannati da un inizio che ha le cadenze di una ballata folk improvvisamente il suono si stratifica, ruggisce, deborda in rumore, rende lo ...
Dann Zinn: Two Roads
by Chris May
Bliss. Here is a tenor saxophonist to file next to the great New York-based Israeli tenor saxophonist Oded Tzur. The two players are far from interchangeable: each has their distinct sound and each has their distinct style. But both bring intimacy and solace to the soul, and both beam out a vibe of positivity. Tzur and ...
Michael Dease: Grove's Groove
by Richard J Salvucci
The story of Michael Dease's journey from sax to trombone and back again is one any parent of a musically talented child could recognize. Dease started out as an alto saxophonist in middle school. Sometime later, he wanted to switch to the baritone sax. He worked at it. And worked at it some more. His combination ...
Camila Nebbia: Una ofrenda a la ausencia
by Mark Corroto
One might be tempted to say something like, “introducing a new voice in jazz and improvised music: Camila Nebbia," except she has been quite a prolific artist for the past decade. Maybe her birthplace Buenos Aires kept the listening world's ears from recognizing this amazing talent. Her move to Berlin may rectify this error: that, and ...
John Ambrosini: Songs for You
by Richard J Salvucci
John Ambrosini is a New York City-based pianist, composer and arranger. He has a number of recordings to his credit and this one, strictly speaking, is a bit of a departure. Ambrosini's band is populated by a number of well-known jazz professionals in and around the city. So the music swings and the solos--including piano--are all ...
Aaron Parks: Little Big III
by Chris May
After debuting with a clutch of albums on Keynote around the start of the millennium, and then spending five years with Terence Blanchard, Aaron Parks emerged as a fully-fledged bandleader with his album Invisible Cinema on Blue Note in 2008. On it, Parks fronted a quartet completed by guitarist Mike Moreno, bassist Matt Penman and drummer ...
Matthew Halpin, Stefan Bauer, Matthias Akeo Nowak, Terry Clarke: Mosaic
by Pierre Giroux
Mosaic, a live recording from Dachtheater, Warendorf and Domicil Dortmund in Germany, captures the thrilling spontaneity of four master musicians coming together for the first time. They are Matthew Halpin on tenor saxophone, Stefan Bauer on vibraharp, Matthias Akeo Nowak on bass and Terry Clarke on drums. With two exceptions, all compositions were written by Bauer, ...
Tord Gustavsen Trio: Seeing
by Konstantin N. Rega
It is difficult to create a big or stirring sound with a small group of musicians. However, Norwegian pianist Tord Gustavsen and his trio offer an expansive, sophisticated and diverse sound on their album Seeing. With its meditative qualities, the album follows in the footsteps of the trio's previous releases, such as The Other Side (ECM, ...
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