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Article: Album Review

Mark Turner: Reflections on: The Autobiography on an Ex-Colored Man

Read "Reflections on: The Autobiography on an Ex-Colored Man" reviewed by Alberto Bazzurro


Una musica molto composta, predefinita, intenzionale, il tutto da allargare all'essenza stessa di opera nella sua accezione più onnicomprensiva, è quanto ci arriva da quest'ultimo lavoro del fresco sessantenne (il 10 novembre) tenorsassofonista dell'Ohio. Non c'è solo musica, in effetti, in quest'ora e un quarto appena scarsa di suoni e parole (narrate, non cantate), perché qui ...

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Article: Album Review

Roy Brooks: The Free Slave

Read "The Free Slave" reviewed by Pierre Giroux


Roy Brooks's The Free Slave, newly reissued on Time Traveler Recordings as a 180-gram vinyl LP, stands as a passionate tribute to the drummer's remarkable artistry and his often overlooked role as one of the most rhythmic thinkers of the post-bop period. Recorded live by Muse Records on April 26, 1970, at Baltimore's renowned Left Bank ...

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Article: Album Review

Havard Volden: Small Lives

Read "Small Lives" reviewed by Scott Gudell


Although the press release claims that Norwegian-born Håvard Volden “takes center stage" with his guitar, Small Lives is carefully constructed around the fusion of his experimental guitar work with synthesizers, bass, drums and more--many of which are performed by Volden himself. This is no surprise, as beyond his guitar prowess, he skillfully leverages the capabilities of ...

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Article: Album Review

Uneven Eleven: Live In Brighton

Read "Live In Brighton" reviewed by Mark Corroto


Since the dawn of this century, time seems to move faster and faster. Trends flare up and fade almost instantly--what is celebrated today becomes yesterday's news by morning. Music is no exception. Perhaps it is the digital age, meme culture or our shrinking attention spans that push us ever onward in search of the “next new ...

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Article: Album Review

Charles Lloyd: Figure In Blue

Read "Figure In Blue" reviewed by Jack Kenny


Jazz listeners with long memories will remember that Charles Lloyd was not always as revered as he is today. In the 1960s, his association with the “Summer of Love" and San Francisco's Haight-Ashbury scene led some to question his seriousness, seeing him as flirting with commercialism. Six decades on, that perception has aged away. Lloyd's work ...

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Article: Album Review

Florian Arbenz: Convergence: Moon

Read "Moon" reviewed by Neil Duggan


For over 30 years drummer Florian Arbenz has taken his drumming style into new genres. His Conversation series produced 12 albums with 12 different ensembles and as part of the VEIN trio, he recorded eight albums, collaborating with Dave Liebman, Marc Johnson and Andy Sheppard. Classically trained, he has also worked as a percussionist in numerous ...

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Article: Album Review

James Suggs: For All We Know

Read "For All We Know" reviewed by Jack Bowers


Every bandleader who enters a recording studio presumably does so with a specific game plan either in hand or in mind. And as is true of any idea, some outcomes are better than others. James Suggs, a splendid trumpeter, has enlisted several able sidemen for support on his second album as leader, For All We Know. ...

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Article: Album Review

Fergus McCreadie: The Shieling

Read "The Shieling" reviewed by Geno Thackara


Music themed around landscapes and natural beauty is common enough, but it is much more rare for the sheer wildness of nature to come through as much as it does for the Fergus McCreadie Trio. His evolving niche of folk-jazz seems to lean a bit more toward the folky side of that equation with every outing--hearing ...

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Article: Album Review

Ruby Rushton: Legacy!

Read "Legacy!" reviewed by Neil Duggan


Legacy! is the fifth studio album from Ruby Rushton. For the avoidance of doubt, Ruby Rushton is a band named after the grandmother of the bandleader Ed Cawthorne, who prefers to be known under his stage name of Tenderlonious. Fortunately, there is no confusion when it comes to their original compositions, written by Tenderlonious and keyboard ...

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Article: Album Review

Christoph Gallio: Stone Is A Rose Is A Stone Is A Stone

Read "Stone Is A Rose Is A Stone Is A Stone" reviewed by John Eyles


Anyone approaching this album unawares needs to be warned that its playing time of 36' 34" is divided into sixty nine tracks ranging in length from six seconds to a minute and 41 seconds, and that the tracks are labelled as Roman numerals from one to 69 with 10 of the track titles being extended by ...


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