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Article: Album Review

Tobias Meinhart: Sonic River

Read "Sonic River" reviewed by Vic Albani


Bavarese trapiantato a Brooklyn da quasi un ventennio, Tobias Meinhart è un altro dei tanti nomi pressoché sconosciuti alle nostre latitudini. Mescolando il groove jazz con la narrazione poetica il sassofonista e flautista è da anni una presenza costante della scena newyorkese new mainstream. Come insegnano le note relative a questo suo nuovo ...

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Article: Album Review

Gabriele Mitelli Three Tsuru Origami: Colapesce

Read "Colapesce" reviewed by Mark Corroto


The second release from Gabriele Mitelli's Three Tsuru Origami ensemble shifts from the literal to the symbolic, expanding both in concept and personnel. Their debut, Three Tsuru Origami (We Insist!, 2022), was a meditation on birds and migration. This follow-up, Colapesce, draws inspiration from the 12th-century Sicilian legend of a half-man, half-fish who sacrifices himself to ...

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Article: Album Review

John Yao and His 17 Piece Instrument: Points In Time

Read "Points In Time" reviewed by Jack Bowers


The insuperable spirit of swinging big-band jazz is everywhere apparent on Points in Time, the seventh recording by New York-based composer, arranger and trombonist John Yao, and the second with his marvelous 17-Piece Instrument, a decade after its well-received debut, Flip-Flop. (See Tao, 2015). As on that earlier album, the playlist consists of ...

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Article: Album Review

Orrin Evans and the Captain Black Big Band: Walk A Mile In My Shoe

Read "Walk A Mile In My Shoe" reviewed by Steve Plever


A glance through the track list--with covers of Stevie Wonder and Marvin Gaye and two swing-era vocal standards--could give you the wrong impression. Yes, this is a very accessible and soulful album, but it is serious and heartfelt jazz, with Orrin Evans' personal stamp making it work. Blues, soul and gospel sounds share the stage here ...

Article: Album Review

Pellegrini Quartet: Luigi Nono, Ludwig van Beethoven - First Visit

Read "Luigi Nono, Ludwig van Beethoven - First Visit" reviewed by Alberto Bazzurro


Abbinare un quartetto di Beethoven, composto a cavallo fra il 1824 e il 1825, a una delle pagine per archi più emblematiche della contemporaneità come Fragmente--Stille, an Diotima di Luigi Nono, scritta oltre un secolo e mezzo dopo (1979/80), potrebbe senz'altro rappresentare un discreto azzardo, che in realtà l'ensemble capitanato da Antonio Pellegrini affronta con assoluta ...

Article: Album Review

Satoko Fujii Quartet: Dog Days Of Summer

Read "Dog Days Of Summer" reviewed by Vincenzo Roggero


Satoko Fujii e il suo quartetto non hanno certo bisogno di presentazione. Presenza imprescindibile negli ultimi quarant'anni di musica creativa, ma si potrebbe dire di musica tout court, musicista dalla produzione discografica inesauribile--ha pubblicato come leader o co-leader più di cento dischi --la pianista, compositrice, band leader giapponese ripropone il format del quartetto che nel 2001, ...

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Article: Album Review

Amina Claudine Myers: Solace of the Mind

Read "Solace of the Mind" reviewed by Troy Dostert


One of the under-heralded legends of the jazz avant-garde, keyboardist Amina Claudine Myers is finally getting her due. An early member of the Association for the Advancement of Creative Musicians (AACM) in the mid-1960s, her efforts were sometimes overshadowed by outsized colleagues such as Muhal Richard Abrams, Lester Bowie, or Henry Threadgill. But recent years have ...

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Article: Album Review

Andrew Moreno: Axiom

Read "Axiom" reviewed by Nenad Georgievski


When a debut album arrives with the emotional weight and conceptual depth of Axiom, it is hard not to pay attention. Venezuelan guitarist and composer Andrew Moreno does not just introduce himself with this record--he tells his story, lays out his map of memories and migrations, and opens up a sound world both deeply personal and ...

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Article: Album Review

Alexander Hawkins: Song Unconditional

Read "Song Unconditional" reviewed by John Sharpe


Where on the first solo outing by British pianist Alexander Hawkins, Song Singular (Babel, 2014), his influences strode in plain sight, and the second, Iron Into Wind (Intakt, 2019), in its austerity, nodded toward Hawkins' classical schooling, Song Unconditional feels simultaneously more personal and more welcoming. It finds Hawkins not only consolidating the vocabulary of his ...

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Article: Album Review

Jimmy Farace: Hours Fly, Flowers Die

Read "Hours Fly, Flowers Die" reviewed by Jerome Wilson


There have been many recordings of saxophones backed by string sections since Charlie Parker experimented with the idea many years ago. The majority of those have featured tenor or alto sax players. However, on his debut album, Jimmy Farace demonstrates how the baritone sax can excel beautifully in this format. The full instrumental lineup ...


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