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Article: Album Review

Oded Tzur: Make A Sound

Read "Make A Sound" reviewed by David Bruggink


Storytelling has been part of Oded Tzur's modus operandi since his first album, his reed playing enfolding drama, tension, and narrative shifts like any spellbinding tale. In this 2025 single, the instinct comes into even sharper focus, as he accompanies a newly-assembled band with his words and voice for the first time on record.

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Article: Album Review

David Broza and Omer Avital: Brozajazz: Paris Alhambra

Read "Brozajazz: Paris Alhambra" reviewed by Kyle Simpler


When jazz fusion comes to mind, the default association is generally jazz-rock. But fusion is far more expansive, as Israeli singer-songwriter David Broza proves on BrozaJazz: Paris Alhambra. Here, Broza's lifelong love of jazz meets Mediterranean, flamenco and folk traditions, all brought together in an intimate acoustic jazz setting. Broza's affinity for jazz began ...

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Article: Album Review

Grant Stewart: Next Spring

Read "Next Spring" reviewed by Pierre Giroux


Grant Stewart's Next Spring reaffirms his position as a leading figure in the current mainstream jazz scene. With his strong tone and deeply swinging phrasing, Stewart again channels the legacies of Sonny Rollins, Charlie Parker, and Joe Henderson, yet his voice remains distinctly his own. Recorded at the iconic Van Gelder Studios in Englewood Cliffs, NJ, ...

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Article: Album Review

Ted Brown Quartet: Just You Just Me

Read "Just You Just Me" reviewed by Jack Kenny


Ted Brown's 2013 album, recorded at various locations in New York and New Jersey, is steeped in the traditions of both Lester Young and Lennie Tristano, but what emerges is distinctly his own. Born in 1927, Brown channels the inspirations of these jazz giants, yet asserts his own individuality in every phrase. The ghostly presences of ...

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Article: Album Review

Rahsaan Roland Kirk: Seek & Listen: Live At The Penthouse

Read "Seek & Listen: Live At The Penthouse" reviewed by Jack Kenny


Few figures in jazz history have embodied the word original quite like Rahsaan Roland Kirk. Sightless from infancy, yet bursting with boundless vision, he turned live performance into theatre, ritual and revelation. On stage, he appeared as a commanding silhouette festooned with flutes, whistles, tenor saxophone, clarinet, bells, harmonica and his self-fashioned instruments--the manzello and stritch. ...

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Article: Album Review

Nugara Trio: The Last Question

Read "The Last Question" reviewed by Neil Duggan


The Last Question is the second album from Nugara Trio, an Italian band comprising pianist Francesco Negri, bassist Viden Spassov and drummer Francesco V. Parsi. Conceived as a concept album, the title is drawn from an Isaac Asimov short story exploring the ultimate fate of the universe. This narrative forms the framework uniting the album's nine ...

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Article: Album Review

Rahsaan Roland Kirk: Vibrations In The Village: Live At The Village Gate

Read "Vibrations In The Village: Live At The Village Gate" reviewed by Joshua Weiner


Thankfully, fans of classic jazz rarely have long to wait before another wonderful, previously unreleased treasure drops from the indefatigable producer Zev Feldman and the folks at Resonance Records. A pair of live releases by multi-instrumentalist, showman, and musical conjuror Rahsaan Roland Kirk join the limited-edition vinyl lineup for Record Store Day's Black Friday ...

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Article: Album Review

Neil Young: Tonight's The Night 50th Anniversary Deluxe

Read "Tonight's The Night 50th Anniversary Deluxe" reviewed by Doug Collette


Given the checkered history behind Neil Young's Tonight's The Night (Reprise, 1975), the 50th Anniversary Deluxe might well have been issued as a multi-disc package. An expanded collection of this third entry in 'the Ditch Trilogy'--along with Time Fades Away (Reprise, 1973) and On The Beach (Reprise, 1974)-- would accommodate the original recordings of 1973, the ...

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Article: Album Review

Jakob Dreyer: Roots and Things

Read "Roots and Things" reviewed by Dan McClenaghan


Bassist Jakob Dreyer searched for a new sound for his third album as a leader. He has, for his previous two releases, expressed his art via the standard quartet--sax, bass, drums and piano. For Roots and things, the piano is replaced by Sasha Berliner's vibraphone, joining the leader's other new-to-the-fold sidemen, saxophonist Tivon Pennicott and drummer ...

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Article: Album Review

Loren Schoenberg and His Jazz Orchestra: So Many Memories

Read "So Many Memories" reviewed by Jack Bowers


Jazz polymath Loren Schoenberg reverses the hands of time on So Many Memories, unveiling sixteen never-before- recorded charts written by the renowned melodist Eddie Sauter in the late 1930s for the Red Norvo-Mildred Bailey Orchestra. To paint his canvas, Schoenberg enlisted students and recent graduates of New York's Juilliard School of Music to be his orchestra, ...


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