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Ben Monder: Planetarium
by Vic Albani
Ben Monder chi? In Italia è piuttosto difficile incontrare qualcuno che conosca bene il lavoro di questo sessantatreenne signore newyorchese. Inquadriamolo: chitarrista di spicco nell'area newyorkese da oltre un trentennio, Ben ha lavorato con importanti nomi della musica moderna come (tra i tanti) Marc Johnson, Lee Konitz, Andrew Cyrille, George Garzone, Paul Motian, Maria ...
Posi-Tone Swingtet: In Jazz We Trust
by Dan Bilawsky
In the mid-'90s, when Posi-Tone released its first album, the recording industry landscape was completely different than it is today. Small independent labels were not the norm, every artist did not have their own imprint and Napster had yet to arrive to kick off the access revolution. It was, quite simply, a different world--one where label ...
Mathias Eick: Lullaby
by Jack Kenny
The prolific collaboration between Mathias Eick and ECM founder Manfred Eicher reveals a shared artistic vision that has reshaped contemporary jazz aesthetics. Eick's appearances on over a dozen ECM releases demonstrate Eicher's commitment to cultivating his distinctive sound--a muted, introspective trumpet approach that redefines jazz expression through restraint rather than virtuosic display. Mathias Eick's ...
Nicola Miller: Living Things
by Mike Jurkovic
It is more than fair enough to say that Nova Scotia-based saxophonist/composer Nicola Miller's vision and understanding of things is peppered with oddly curious axioms and an astute ear for the undertow that pulls us all further out to sea or crashing into the breakers. At least that is what Living Things, Miller's first bold ...
The Fury: Live in Brooklyn
by Alberto Bazzurro
È quella del chitarrista Lage Lund la firma principale di questo album squisitamente corale (fin dal nome in ditta): tre dei sette brani complessivi sono infatti suoi, due di Mark Turner, uno del contrabbassista Matt Brewer, e in più c'è l'unico brano non dovuto a membri del gruppo, il primo, a firma del sassofonista Myron Walden. ...
Gaia Wilmer, Jaques Morelenbaum: Trem Das Cores
by Angelo Leonardi
Il violoncellista Jaques Morelenbaum e la sassofonista Gaia Wilmer celebrano l'opera di Caetano Veloso privilegiando nove sue composizioni, eseguite quasi esclusivamente in forma strumentale, con arrangiamenti di entrambi. Solo in due temi famosi, Trem Das Cores" e Um Dia," c'è l'interpretazione vocale di Monica Salmaso, una delle cantanti brasiliane più in vista degli ultimi vent'anni.
Brad Shepik: Hard Believer
by Dan McClenaghan
The first burst of noise from a recording can be telling, predictive of what will come. The Believers' Hard Believer title tune says as much. A guitar, bass and drums group, the music comes to life with some resonant metallic chords. The drums and bass push their weight around. It is assertive music laid down with ...
Moe Staiano: Away Towards the Light
by Glenn Astarita
Drummer Moe Staiano's Away Towards the Light is a meticulously crafted sonic tapestry that unfolds slowly, revealing its complexities with each listen. Performed at the Edgetone 25th anniversary concert, the piece features four guitar groupings, three groups with two guitars and a group of three--alongside Staiano's snappy attack and bassist 'Jason Hoopes sturdy undercurrent. While not ...
Russ Anixter's Hippie Big Band: What Is?
by Jack Bowers
Although the music of New York-based bandleader and arranger Russ Anixter may leave the average listener bemused and scratching his or her head, even the more perplexed among them would have to concede that Anixter has his personal North Star, and that he and the eleven-member Hippie Big Band follow it to the letter. Having grown ...
Lotus Crash: First Visit
by Alberto Bazzurro
Una musica viva, pulsante, frutto di un'invidiabile, equilibratissima sinergia fra le varie forze in campo, è quanto ci offre questo bell'album, inciso alla RSI nel febbraio 2023, nove brani in totale, frutto in egual misura delle penne dei due fiati del quartetto, più Fate" di Andrew Cyrille a sparigliare le carte (ma non come assunto complessivo). ...


