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Article: Album Review

Keith Oxman: Home

Read "Home" reviewed by Pierre Giroux

by Pierre Giroux

Tenor saxophonist Keith Oxman has long been regarded as a steadfast guardian of the jazz tradition. With Home, he offers perhaps his most personal and heartfelt statement yet. The album, a warm blend of joyful explorations, reflective ballads, a touch of blues, and elegant bossa nova, is dedicated to those who shaped his life and artistry. ...

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Article: Album Review

John Scofield Dave Holland: Memories Of Home

Read "Memories Of Home" reviewed by Jack Kenny

by Jack Kenny

This album is fundamentally about rapport, deep listening, and a shared musical history that traces back to Miles Davis, Herbie Hancock, and the quartet with Joe Lovano and Al Foster. John Scofield's distinctive guitar style seamlessly integrates post-bop, fusion, funk, and roots-based influences. His dry, idiosyncratic tone and subtle inflections have helped redefine modern ...

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Article: Album Review

Seth Yacovone Band: SYBlings, Vol. 2

Read "SYBlings, Vol. 2" reviewed by Doug Collette

by Doug Collette

The second of a pair of 2025 releases, SYBlings, Vol. 2 is not exactly a sequel to its predecessor. Rather, it is a series of themes instrumental and lyrical that stands on its own terms. More importantly, while it is not innovative by any means, it is quite likely the best rock album guitarist-composer and Vermont ...

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Article: Album Review

Rodrigo Amado: The Healing

Read "The Healing" reviewed by John Sharpe

by John Sharpe

The Healing unites tenor saxophonist Rodrigo Amado and drummer Chris Corsano in a tremendous set that tempers visceral power with nuanced exchange. An archival release, it documents a 2016 live date at Lisbon's ZBD Club, marking the second recording by this duo, after a 2014 session issued as No Place To Fall (Astral Spirits, 2019). However ...

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Article: Album Review

Noah Preminger: Dark Days

Read "Dark Days" reviewed by Jack Kenny

by Jack Kenny

Noah Preminger possesses one of the most beautiful tones in jazz, and he knows it. He is not inclined to tarnish that sound--nor should he. It is the product of years of rigorous work. His challenge, rather, lies in his relative youth, in jazz terms. Admired already, Preminger also understands that his best years likely lie ...

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Article: Album Review

Ray Barretto: Together

Read "Together" reviewed by C. Andrew Hovan

by C. Andrew Hovan

As of this writing, it has been more than 20 years since we lost the great conguero Ray Barretto. A native New Yorker of Puerto Rican descent, Barretto was among the first musicians to bring the conga drum into the standard jazz combo. His unmistakable touch can be heard throughout the early 1960s on a string ...

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Article: Album Review

Julius Gawlik: It's All in Your Head

Read "It's All in Your Head" reviewed by Nenad Georgievski

by Nenad Georgievski

When jazz musicians talk about composition, they often mean something closer to architecture--blueprints that guide but do not dictate. Julius Gawlik's debut album takes this idea seriously, treating written material as a starting point rather than a destination. The Berlin-based saxophonist and clarinetist has assembled a quartet that thrives on incompleteness, where sketches become conversations and ...

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Article: Album Review

Alex Skolnick Trio: Prove You're Not a Robot

Read "Prove You're Not a Robot" reviewed by Glenn Astarita

by Glenn Astarita

Few musicians have leapt the chasm between thrash metal and jazz with the audacity and grace of Alex Skolnick. Having made his name with Bay Area thrashers Testament in their Big Four-era ascent, Skolnick's departure from metal in the early '90s was not burnout, but a transformation fueled by his pursuit of a BFA in jazz ...

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Article: Album Review

Wes Montgomery: Boss Guitar

Read "Boss Guitar" reviewed by C. Andrew Hovan

by C. Andrew Hovan

By the time Wes Montgomery left us in 1968 at just 45, he had already produced a staggering body of work. To say he changed the way musicians approached the guitar forever is no overstatement. Thanks to producer Orrin Keepnews, Montgomery documented his prime years on Riverside, recording nearly a dozen albums between 1959 and 1963. ...

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Article: Album Review

Wanees Zarour: Silwan

Read "Silwan" reviewed by Jack Bowers

by Jack Bowers

There are times when not knowing what to expect can be helpful. Wanees Zarour, a Palestinian-American artist who now calls Chicago home, plays the buzuq and oud, stringed instruments from the Middle East, and couples them on Silwan with his skills as a composer to produce melodic and colorful images of his homeland interspersed with contemporary ...


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