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474

Article: Record Label Profile

Posi-Tone Records: Creating a New Iconic Catalogue

Read "Posi-Tone Records: Creating a New Iconic Catalogue" reviewed by John Patten


When Posi-Tone Records founder Marc Free was growing up, he looked forward to each new record purchase, cherishing the cover artwork, devouring the liner notes and most of all, feasting on the music. He came to love the music and albums issued by iconic labels such as Blue Note and Impulse!, knowing that even if he ...

215

Article: Album Review

Peter Eldridge: Mad Heaven

Read "Mad Heaven" reviewed by Dan Bilawsky


"Easy listening" is a term that's often associated with bland, tepid material which serves as background fodder in supermarkets and shopping malls, but the term isn't negative by nature. Easy listening has a positive side, and Peter Eldridge's Mad Heaven is the proof. Eldridge packages charming pieces in an easy-to-swallow format that belies the sophistication behind ...

546

Article: Live Review

Winter Jazzfest, New York City, Day 2: January 8, 2011

Read "Winter Jazzfest, New York City, Day 2: January 8, 2011" reviewed by Daniel Lehner


Day 1 | Day 2 Winter JazzfestNew York, NYJanuary 7-8, 2011 Kirk Knuffke Quartet Trumpeter Kirk Knuffke certainly has an enthusiasm for the “hot" jazz of the 1920's, even if it isn't straight from the source. Knuffke's quartet--co-fronted by trombonist Brian Drye, and backed by ...

Album

Chamber Songs: Music for Nonet and Strings

Label: Sunnyside Records
Released: 2010
Track listing: The River; Interlude; Paradox; Magnolia; Fables; Ice Cave; Union Blues; Sedona; In Memoriam.

Album

Music For Nonet And Strings / Chamber Songs

Label: Unknown label
Released: 2010

383

Article: Live Review

Alan Ferber Nonet Plus Strings at Jazz Gallery on December 16, 2010

Read "Alan Ferber Nonet Plus Strings at Jazz Gallery on December 16, 2010" reviewed by Daniel Lehner


Alan Ferber Nonet Plus StringsThe Jazz GalleryNew York City, USADecember 16, 2010 Despite having fewer members than an average big band, the concept of a nonet plus an eight-piece string section seems like a huge undertaking. Even the sight of violins and cellos in front of the large small group in ...

273

News: Recording

Brooklyn Jazz Underground Records To Release PATHWAY, The Debut Recording From Pianist/Composer DAVID COOK

Brooklyn Jazz Underground Records To Release PATHWAY, The Debut Recording From Pianist/Composer DAVID COOK

(Available December 7, 2010 at BJURecords.com Pathway features: David Cook (piano, compositions) Matt Clohesy (bass) Mark Ferber (drums) NYC CD RELEASE PERFORMANCE—JANUARY 5, 2011 @ THE CORNELIA STREET CAFE!!! with Marco Panascia (bass) + Mark Ferber (drums) Possessing patience, self-awareness, and experience; knowing when to step out as ...

136

Article: Album Review

Jacam Manricks: Trigonometry

Read "Trigonometry" reviewed by Raul d'Gama Rose


The reason that there is seldom a wrong note played by Jacám Manricks on Trigonometry is that notes, phrases and the spiraling flow of seemingly unending lines appear to be so extremely well thought-out that nothing could possibly sound out of place. To hear the saxophonist play in soft, dulcet tones that occupy the paler colors ...

748

Article: Interview

Taylor Haskins: Raising His (Trumpet) Voice

Read "Taylor Haskins: Raising His (Trumpet) Voice" reviewed by R.J. DeLuke


Taylor Haskins is forging more of a career in the jazz world, and it's based on his solid musicianship and flair on the trumpet: a good strong tone, good chops, and a wide array of influences, translating into him being at ease and formidable in many styles, including being plugged-in. In addition to stepping out more ...

238

Article: Album Review

Jacam Manricks: Trigonometry

Read "Trigonometry" reviewed by Bruce Lindsay


Jacám Manricks is a rich-toned saxophonist and composer with a growing body of original tunes--Trigonometry appears hot on the heels of the self-released Labyrinth (Manricks Music Records, 2009). The New York based musician has allied himself to a strong ensemble of players who happily take on the challenge of Manricks' compositions and invest them with some ...


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