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About Al Kooper
Instrument: Composer / conductor
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Al Kooper
Born:
Al Kooper has been quite the Renaissance Man of Rock. Somehow, in a career that spans 50 years, he has managed to turn up at key points in the last five decades. In 1958, Koop began his professional career as guitarist in The Royal Teens ("Short Shorts"). He transformed into a Tin Pan Alley songwriter with cuts covered by Gary Lewis, Gene Pitney, Keely Smith, Carmen MacRae, Pat Boone, Freddie Cannon, Lulu, Lorraine Ellison, Donnie Hathaway and later was sampled by The Beastie Boys, Jay-Z, Pharcyde, and Alchemist to name but a few. In the mid-sixties, Al was a member of The Blues Project and then founded Blood Sweat & Tears, remaining only for their debut album "Child Is Father To The Man." He then slipped his producer hat on and began with the top ten album "Super Session" in 1968 featuring Mike Bloomfield & Stephen Stills. He is well known for his organ playing on Bob Dylan's "Like A Rolling Stone." He played off & on with Dylan for many years, live and in the studio
Brothers and Sisters: The Allman Brothers Band and The Inside Story of the Album That Defined the '70s
by Doug Collette
Brothers and Sisters: The Allman Brothers Band and The Inside Story of the Album That Defined the '70s Alan Paul 352 pages ISBN: # 978-1250282699 St. Martin's Press Year 2023 Alan Paul's Brothers and Sisters: The Allman Brothers Band and The Inside Story of the Album That ...
Blood Sweat & Tears: What The Hell Happened to Blood Sweat & Tears?
by Doug Collette
The title of this release might rightfully be applied at various junctures of Blood Sweat & Tears' career, but for the purposes of this project, it's particularly apropos to the group's State Department-sponsored tour of 1970 behind the Iron Curtain. Innuendo about this band's hip cachet or lack thereof arising from this jaunt--the main premise of ...
Jazz World Records: From Hong Kong with Love
by Rob Garratt
"I've had plenty of labels in the past—three or four, I can't remember—and I always swore I'd never do it again," begins Clarence Chang as he sits down to lunch. And yet here we are, chewing linguine and discussing the label he just founded, Jazz World Records. “The only true jazz label in ...
Bob Dylan: Springtime in New York 1980-1985: The Bootleg Series, Volume 16 (5CD)
by Doug Collette
Generally speaking, revelations abound within the various installments of The Bootleg Series, Bob Dylan's ongoing archive initiative, and Volume 16 is no exception. But in listening to Springtime in New York, 1980- 1985, the epiphanies come in slow bursts, flashing over the course of the five CDs to generate a cumulative momentum that reaches a flash-point ...
Chrissie Hynde: Standing In The Doorway: Chrissie Hynde Sings Bob Dylan
by Doug Collette
The existence of Chrissie Hynde Sings Bob Dylan might well have been inevitable, if only because she and The Bard share some patently obvious personality traits, not the least of which are a staunch independence and a healthy, if wickedly wry, sense of humor. But even conceptions of the greatest clarity don't necessarily lead to so ...
Steve Maddock: The Blues Project
by Pierre Giroux
In the mid 1960's, there was a Greenwich Village, NYC pop band called The Blues Project which was primarily informed by folk, rhythm & blues, jazz and pop music of the day. One of their early success was entitled “Flute Thing," a tune from the group's 1966 album Projections (Verve / Folkways). Keyboardist / vocalist Al ...
Guitar King: Michael Bloomfield's Life in the Blues
by Doug Collette
Guitar King: Michael Bloomfield's Life in the Blues David Dann 776 Pages ISBN: #978-1477318775 University of Texas Press 2019 Through a combination of journalistic objectivity, scholarly attention to detail and the passion of a fan, author David Dann accomplishes exactly what he professes to achieve in his 'Prologue' to ...
Woodstock—Back to the Garden: 50th Anniversary Experience
by John Kelman
First things first. For all but the most committed of fans, knowledge of what transpired, how it transpired and when it transpired at the now-legendary 1969 Woodstock Music & Arts Fair has, despite a variety of initial, 25th and 40th Anniversary audio and video releases, been severely limited. As engaging, entertaining and well-constructed as these various ...
Bob Dylan: More Blood, More Tracks: The Bootleg Series Vol. 14
by Eric Gudas
The challenge of finding something original to say about Bob Dylan's Blood on the Tracks (1975), the mother of all comeback albums, baffles even the most steely-eyed critic. But Sony has made the task easier with More Blood, More Tracks, the unfortunately titled, overpriced, but nonetheless revelatory fourteenth entry in the Bootleg Series. The six-disc Deluxe ...
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