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Idrees Sulieman Quartet feat. Oscar Dennard: The 4 American Jazz Men in Tangier
by Stefano Merighi
La pubblicazione in doppio album di queste sedute del 1959 del quartetto di Idrees Sulieman rivestono importanza in primo luogo per ascoltare il talento assoluto del pianista Oscar Dennard. Colpevolmente dimenticato, Dennard si rivela uno strumentista di primissimo piano, una voce fuori dal coro tra i pianisti attivi negli anni 50. Un po' strangolato nell'orchestra ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
Simon Eskildsen Trio: Introducing the Simon Eskildsen Trio
by Jakob Baekgaard
The art of the piano trio is very difficult to master and yet very simple. It is all about chemistry. Three players trying to find a language together, traversing a path that has been explored so many times before. Keeping the heavy heritage of the piano trio in mind, including leaders like Bill ...
Ahmad Jamal and Fender Rhodes
We tend to think of Ahamd Jamal as a pioneer of the elegant jazz trio, a style he perfected in the 1950s by making ample use of space, swing and the upper register of the piano keyboard. Or we think of Ahmad's more recent abstract recordings that are bold and percussive. In between, there was a ...
Russell Malone: Time for the Dancers
by Jack Bowers
The flame lit so brightly many years ago by guitarist Wes Montgomery continues to burn with intensity thanks to gifted torch-bearers like Russell Malone whose third album for HighNote Records, Time for the Dancers, not only mirrors Montgomery's singular musical temperament but ushers it into aesthetic realms that would surely have had Wes nodding his approval. ...
Ahmad Jamal: Greasepaint Roar
When Leslie Bricusse and Anthony Newley's musical The Roar of the Greasepaint — the Smell of the Crowd hit Broadway in 1965, it was a followup to their collaboration on Stop the World — I Want to Get Off (1962). The earlier musical gave us two massive pop standards: Once in a Lifetime and What Kind ...
Groovin’ Hard In Every Style
by Chris M. Slawecki
Big Mean Sound Machine Runnin' for the Ghost Peace & Rhythm | Blank Slate Records 2017 On Runnin' for the Ghost, Big Mean Sound Machine sounds intent on obliterating every imaginable musical border: the lines between regional or geographic styles, the divide between acoustic and electronic instruments, the ...
Keystone Korner 45th Anniversary Celebration
by Walter Atkins
Keystone Korner 45th Anniversary CelebrationBach Dancing & Dynamite Society Half Moon Bay, CA July 7-8, 2017 Fabled jazz venue Keystone Korner commemorated its 45th year anniversary in spectacular style during the first week of July 2017. Producer Todd Barkan not only assembled a superb cast of original Keystone stalwarts and young ...
Nick Millevoi
by Vincenzo Roggero
Nick Millevoi, a young guitarist and composer of Philadelphia, likes to surprise, as the sheer diversity of his project demonstrates. He has the innate curiosity of the best music explorers and is equally at ease composing for large ensembles as for small rock bands. As his bio aptly puts it, Nick Millevoi is a guitarist and ...
Ulysses Owens, Jr.: Falling Forward
by James Nadal
Amidst a successful trajectory as a sought-after drummer with some of the premier jazz bands in the business, Ulysses Owens, Jr. has decided to take a giant step outside his comfort zone with Falling Forward, his fourth venture as leader. In a radical departure from typical jazz ensemble configurations, the assembled group consists of Owens, bassist ...
