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Marseille
By Ahmad Jamal
Label: Jazz Village
Released: 2017
Track listing: Marseille (instrumental); Sometimes I Feel Like A Motherless Child; Pots En Verre;
Marseille (vocal #1); Autumn Leaves; I Came Back To See You / You Were Not
There; Baalbeck; Marseille (vocal #2).
Old, Borrowed and Just a Little Blue
by Geno Thackara
How many collections of standards does the jazz world really need? The answer, of course, is that there's always room for more as long as the players and listeners can find something relevant and fresh. Every piece on offer in this batch has been around for several decades at least, but these old things never fail ...
Ahmad Jamal: Marseille
by Ian Patterson
Four years between studio albums is a long gap by Ahmad Jamal's standards. Not that the 87-year-old pianist has been idle since the widely acclaimed Saturday Morning (Jazz Village, 2013). He's released two live albums in that time--Live at The Olympia (Jazz Village, 2014) featuring Yusef Lateef and Live in Marciac 2014 (Jazz Village, 2015)--and remains ...
Enzo Pietropaoli: The Princess
by Mark Corroto
It can be risky for jazz musicians to play pop songs. They have to navigate the memories that each composition holds for the listener while also making the music distinctive and personal. Miles Davis could do it with Michael Jackson's Human Nature" and Cyndi Lauper's Time After Time," and of course Sonny Rollins can make any ...
Idrees Sulieman Quartet feat. Oscar Dennard: The 4 American Jazz Men in Tangier
by Stefano Merighi
La pubblicazione in doppio album di queste sedute del 1959 del quartetto di Idrees Sulieman rivestono importanza in primo luogo per ascoltare il talento assoluto del pianista Oscar Dennard. Colpevolmente dimenticato, Dennard si rivela uno strumentista di primissimo piano, una voce fuori dal coro tra i pianisti attivi negli anni 50. Un po' strangolato nell'orchestra ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, Livery Stable Blues," in 1917, an original musical language was ...
Simon Eskildsen Trio: Introducing the Simon Eskildsen Trio
by Jakob Baekgaard
The art of the piano trio is very difficult to master and yet very simple. It is all about chemistry. Three players trying to find a language together, traversing a path that has been explored so many times before. Keeping the heavy heritage of the piano trio in mind, including leaders like Bill ...
Ahmad Jamal and Fender Rhodes
We tend to think of Ahamd Jamal as a pioneer of the elegant jazz trio, a style he perfected in the 1950s by making ample use of space, swing and the upper register of the piano keyboard. Or we think of Ahmad's more recent abstract recordings that are bold and percussive. In between, there was a ...
Russell Malone: Time for the Dancers
by Jack Bowers
The flame lit so brightly many years ago by guitarist Wes Montgomery continues to burn with intensity thanks to gifted torch-bearers like Russell Malone whose third album for HighNote Records, Time for the Dancers, not only mirrors Montgomery's singular musical temperament but ushers it into aesthetic realms that would surely have had Wes nodding his approval. ...
Ahmad Jamal: Greasepaint Roar
When Leslie Bricusse and Anthony Newley's musical The Roar of the Greasepaint — the Smell of the Crowd hit Broadway in 1965, it was a followup to their collaboration on Stop the World — I Want to Get Off (1962). The earlier musical gave us two massive pop standards: Once in a Lifetime and What Kind ...


