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Article: SoCal Jazz

Catalina Jazz Club: Landmark Jazz Haven Forges Onward

Read "Catalina Jazz Club: Landmark Jazz Haven Forges Onward" reviewed by Jim Worsley


While west-coasters long to go to the Blue Note in New York City, east-coasters have their sights set on the Catalina Jazz Club in Hollywood. The family-owned and operated jazz hot spot has seen and heard from all the jazz legends over the past thirty-four years. The supper club has fine dining and even finer up ...

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Article: Album Review

Lara Driscoll: Woven Dreams

Read "Woven Dreams" reviewed by Jordan Penney


Woven Dreams is the debut album of pianist and Illinois-based university instructor, Lara Driscoll. The disc's uncluttered piano, bass and drums format encourages the clarity and luminosity of her compositions to shine forth, and they do. The format also draws attention to the richness of the group's internal dynamics. The influence of Bill Evans ...

3

Article: Radio & Podcasts

Sir Stevie: Jammin' on Stevie Wonder - Part 1

Read "Sir Stevie: Jammin' on Stevie Wonder - Part 1" reviewed by Ludovico Granvassu


Stevie Wonder has more entries in the Real Book than any other pop musician, The Beatles included. It is not surprising therefore that his Songbook has been mined by hundreds of jazz musicians, including the likes of Sonny Rollins, Dizzy Gillespie, Ella Fitzgerald, Dexter Gordon or Herbie Hancock. To mark the 70th birthday of ...

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Article: Album Review

Carole Nelson Trio: Arboreal

Read "Arboreal" reviewed by Ian Patterson


Nature has perhaps inspired more art than anything else, including love. For London-born, Ireland-based pianist, singer and composer Carole Nelson, the countryside of her adopted County Carlow has proven to be a musically fertile stomping ground. The introspective One Day in Winter (Black Stairs Records, 2017), which featured top Irish musicians Cormac O'Brien and Dominic Mullan, ...

12

Article: Album Review

Omer Avital/Qantar: New York Paradox

Read "New York Paradox" reviewed by Fiona Ord-Shrimpton


The world in its collective viral neurosis is in a cold sweat. What to do? Store shelves are empty, hands have never been cleaner, and if all goes wrong, salaries may soon rise for those who will work. In these trying times, some days you simply must “Avital"—Omer Avital understands this. Thanks to his latest album, ...

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Article: Album Review

Jordan Ponzi: The First Journey

Read "The First Journey" reviewed by Nicholas F. Mondello


The First Journey from bassist, educator Jordan Ponzi is a classic trio side which delivers a kaleidoscope of textures, tempos, and superb playing. The 7-track recording packs plenty of punch and variety within—and it's a winner. Jordan Ponzi's eclectic compositions offer fine launch pads for superior improv and great ensemble interaction. “Sign Unseen" is ...

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Article: Album Review

New Stories: Speakin' Out

Read "Speakin' Out" reviewed by Jack Bowers


New Stories is a seasoned piano trio (and a very good one) rendered even more persuasive on Speakin' Out by the singular presence (on five of nine tracks) of renowned saxophone maestro Ernie Watts. The trio itself consists of pianist Marc Seales, bassist Doug Miller and drummer (and Origin Records founder) John Bishop. The wide-selling album, ...

Results for pages tagged "Ahmad Jamal"...

Musician

Ahmad Jamal

Born:

In 1951, Mr. Jamal first recorded 'Ahmad's Blues' on Okeh Records. His arrangement of the folk tune 'Billy Boy', and 'Poinciana' (not his original composition), also stem from this period. In 1955, he recorded his first Argo (Chess) Records album that included 'New Rhumba', 'Excerpts From The Blues', 'Medley' (actually 'I Don't Want To Be Kissed'), and 'It Ain't Necessarily So' —all later utilized by Miles Davis and Gil Evans on the albums "Miles Ahead" and "Porgy and Bess." In his autobiography, Mr. Davis praises Mr. Jamal's special artistic qualities and cites his influence. In fact, the mid-to-late 1950's Miles Davis Quintet recordings notably feature material previously recorded by Mr. Jamal: 'Squeeze Me', 'It Could Happen To You', 'But Not For Me', 'Surrey With The Fringe On Top', 'Ahmad's Blues', 'On Green Dolphin Street' and 'Billy Boy'.

Article: Album Review

Luke Gillespie: Moving Mists

Read "Moving Mists" reviewed by Angelo Leonardi


Insegnante di piano jazz all'Indiana University e leader di un trio, Luke Gillespie ha mostrato in altri dischi di saper rileggere con inventiva il songbook jazzistico, aggiungendo personali doti d'autore. Vive e opera lontano da New York in una dimensione apparata ma il suo pianismo non è inferiore a quello di artisti più noti. Nel suo ...

13

Article: Multiple Reviews

A World of Piano Trios II

Read "A World of Piano Trios II" reviewed by Mark Sullivan


Several parts of the world heard from in this installment: Sweden, Norway, France, and the United States. Esbjorn Svensson Trio (E.S.T.) e.s.t. live in Gothenburg ACT Music 2019 Before Swedish jazz pianist Esbjörn Svensson's untimely death in 2008, e.s.t. was a sensation. They brought an eclecticism and rock-like ...


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