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A New Awakening: Adventures in British Jazz 1966-1971

Label: Strawberry Records
Released: 2025
Track listing: Storm Warning (Dick Morrissey Quartet); Watermelon Man (Davey Graham); Tan Same (Don
Rendell/Ian Carr Quintet); Overture (Joe Harriott Double Quintet); Return from the Ashes (John
Dankworth Orchestra); Wade in the Water (Graham Bond Organization); No Thanks (George Fame);
Two Autumns (Mike Taylor Trio); A Greeting (Mike Westbrook Concert Band); Shepherd's Serenade (Joe
Harriott Quintet); Ursula (Michael Garrick Septet); Dear Johnny B (Tubby Hayes Quartet); In Time
(Pentangle); The Hipster (Harold McNair); One for John Gee (Jethro Tull); Luger's Groove (Spooky
Tooth); Troublemaker (John Cameron Quartet); Down Another Road (Graham Collier Sextet); Binky's
Beam (John McLaughlin); One Green Eye (Don Rendell/Ian Carr Quintet); Angle (New Jazz Orchestra);
Sweet Dulcinea Blue (Ken Wheeler with John Dankworth Orchestra); Some Echoes, Some Shadows
(Michael Gibbs); Harpsichord Shuffle (Wynder K. Frog); The Beard (Jasper); Where Am I Going
(Manfred Mann Chapter Three); Those About to Die (Colosseum); Premonition (Keef Hartley Band);
Elastic Rock (Nucleus); Maiden Voyage (Brian Auger and the Trinity); A Day in the Life (Affinity); Voodoo
Forest (Johnny Almond Music Machine); Over the Cliff (Jack Bruce); Dragon Song (Brian Auger's
Oblivion Express); Can I Have My Paperback Back (Ray Russell Quartet); What Did I Say About the
Box, Jack? (If); The Forest of Fables (Chris Spedding); Joachim (The Trio); Sharing (Satisfaction); A New
Awakening (Julie Driscoll); Keep Off the Grass (Bob Downes Open Music); Is It Loud? (Trifle); Epiphany
(Garrick's Fairground); Song for the Bearded Lady (Nucleus); Earth Bound Hearts (John McLaughlin);
Seldom Seen Sam (If); And Think Again (John Taylor); So It Is (Mike Osborne)
Various Artists: A New Awakening: Adventures in British Jazz 1966-1971

by Peter Jones
Throughout the 1950s (and beyond), modernist British jazz musicians were in thrall to the American bebop stars they had been trying to emulate since the late 1940s. It was the pinnacle to which they aspired, and gradually their efforts lifted the overall standard of UK jazz. But by the early 1960s, the international success ...