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A New Awakening: Adventures in British Jazz 1966-1971
																	
								
									Label: Strawberry Records
									Released: 2025									
Track listing: Storm Warning (Dick Morrissey Quartet); Watermelon Man (Davey Graham); Tan Same (Don 
Rendell/Ian Carr Quintet); Overture (Joe Harriott Double Quintet); Return from the Ashes (John 
Dankworth Orchestra); Wade in the Water (Graham Bond Organization); No Thanks (George Fame); 
Two Autumns (Mike Taylor Trio); A Greeting (Mike Westbrook Concert Band); Shepherd's Serenade (Joe 
Harriott Quintet); Ursula (Michael Garrick Septet); Dear Johnny B (Tubby Hayes Quartet); In Time 
(Pentangle); The Hipster (Harold McNair); One for John Gee (Jethro Tull); Luger's Groove (Spooky 
Tooth); Troublemaker (John Cameron Quartet); Down Another Road (Graham Collier Sextet); Binky's 
Beam (John McLaughlin); One Green Eye (Don Rendell/Ian Carr Quintet); Angle (New Jazz Orchestra); 
Sweet Dulcinea Blue (Ken Wheeler with John Dankworth Orchestra); Some Echoes, Some Shadows 
(Michael Gibbs); Harpsichord Shuffle (Wynder K. Frog); The Beard (Jasper); Where Am I Going 
(Manfred Mann Chapter Three); Those About to Die (Colosseum); Premonition (Keef Hartley Band); 
Elastic Rock (Nucleus); Maiden Voyage (Brian Auger and the Trinity); A Day in the Life (Affinity); Voodoo 
Forest (Johnny Almond Music Machine); Over the Cliff (Jack Bruce); Dragon Song (Brian Auger's 
Oblivion Express); Can I Have My Paperback Back (Ray Russell Quartet); What Did I Say About the 
Box, Jack? (If); The Forest of Fables (Chris Spedding); Joachim (The Trio); Sharing (Satisfaction); A New 
Awakening (Julie Driscoll); Keep Off the Grass (Bob Downes Open Music); Is It Loud? (Trifle); Epiphany 
(Garrick's Fairground); Song for the Bearded Lady (Nucleus); Earth Bound Hearts (John McLaughlin); 
Seldom Seen Sam (If); And Think Again (John Taylor); So It Is (Mike Osborne)								
Various Artists: A New Awakening: Adventures in British Jazz 1966-1971
								
									by Peter Jones
									
										
																			
								
Throughout the 1950s (and beyond), modernist British jazz musicians were in thrall to the American bebop stars they had been trying to emulate since the late 1940s. It was the pinnacle to which they aspired, and gradually their efforts lifted the overall standard of UK jazz. But by the early 1960s, the international success ...

					
					
				
				
				
			
							
							
							
							
							
							
							
			
			