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Article: Liner Notes

Paul Bley: Floater & Syndrome The Upright Piano Sessions Revisited

Read "Paul Bley: Floater & Syndrome The Upright Piano Sessions Revisited" reviewed by Chris May


One way for a musician to conjure rapture is through full-frontal shamanic assault, the sonic equivalent of the Orgasmatron machine that Jane Fonda's character encounters in Roger Vadim's 1968 sci-fi romp Barbarella. Funk is an ideal vehicle. But the sensations produced are superficial and short-lived. A less travelled path instead uses subtlety, understatement and nuance, and ...


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