339

Nathan Davis: Suite for Dr Martin Luther King

Hrayr Attarian By

Sign in to view read count
Nathan Davis: Suite for Dr Martin Luther King Good art is the product of the times, reflecting and often impacting the world it was created in, but great art transcends both time and space. Saxophonist Nathan Davis' Suite for Dr Martin Luther King is a great work of art. It is short but powerful like a bittersweet shot of espresso. Recorded in 1976 and initially released on his own Tomorrow International label, it is a great example of both his talents as a composer and saxophonist.



The essence of the music is improvisation and jazz but it contains elements of soul, funk, R&B, spoken word, gospel and blues. The emotional essence is hope, infused by grief, anger and sadness. All these different styles and emotions fit together quite harmoniously producing a coherent whole. This is primarily due to the quality of the complex compositions and the virtuosity of the musicians involved. Davis plays a number of reed instruments on the record but solos mainly on soprano sax. His solos alternate with the expressive narration of Donald M. Henderson, the ensemble playing of the first rate orchestra and, on one cut, the ethereal vocals of Brenda Joyce. The music sounds fresh and unpredictable and has not dated at all, nor have the emotions they evoke.

Pony Canyon's CD reissue of this long forgotten gem has pristine sound and beautifully reproduced cover art and liner notes. Listening to this recording makes it hard to believe that Nathan Davis is not a more widely known and appreciated musician.


Track Listing: Introduction; Narration 1; Latin Happ'n; Narration 2; New Dues; I Believe In Him; Mean Business; Narration 3; Atlanta Walk; Narration 4; M.L.K.; Jesus Saves Us (Our Flight For Freedom); Funk-A-Dilly Molly.

Personnel: Nathan Davis: reeds; Lew Soloff: trumpet; Clyde Bellin: trumpet; Nelson Harrison: trombone; Daniel Poupard: trombone; Lee Gross: baritone sax; Frank Cunimondo: electric piano; Mike Taylor: bass; Joe Harris: drums; Steve Boyd: arp synthesizer, clarinet; Willie Amoaku: percussion; Eric Johnson: guitar; Donald M. Henderson: narrator; Brenda Joyce: vocal; Marilyn Davis: special effects.

Year Released: 2006 | Record Label: Pony Canyon | Style: Modern Jazz


Shop

More Articles

Read Road to Forever CD/LP/Track Review Road to Forever
by Jack Bowers
Published: February 27, 2017
Read Avenida Graham CD/LP/Track Review Avenida Graham
by Edward Blanco
Published: February 27, 2017
Read TAI Fest #1 (Vol.1&2) CD/LP/Track Review TAI Fest #1 (Vol.1&2)
by Nicola Negri
Published: February 27, 2017
Read Goat Man & The House of the Dead CD/LP/Track Review Goat Man & The House of the Dead
by Dave Wayne
Published: February 27, 2017
Read Backlog CD/LP/Track Review Backlog
by James Nadal
Published: February 27, 2017
Read Acceptance CD/LP/Track Review Acceptance
by Tyran Grillo
Published: February 26, 2017
Read "Four Plus Three" CD/LP/Track Review Four Plus Three
by Bruce Lindsay
Published: June 5, 2016
Read "Falga" CD/LP/Track Review Falga
by Karl Ackermann
Published: April 18, 2016
Read "Day By Day" CD/LP/Track Review Day By Day
by Rob Rosenblum
Published: January 16, 2017
Read "Les Indignés" CD/LP/Track Review Les Indignés
by Karl Ackermann
Published: May 3, 2016
Read "Bathysphere" CD/LP/Track Review Bathysphere
by Glenn Astarita
Published: March 18, 2016

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!