418

John Coltrane: Soultrane

Douglas Payne By

Sign in to view read count


Tenor Titan John Coltrane (1926-67) made his solo recording debut on Prestige in 1956 and during his two and a half years with the label, sat in on an incredible 25 sessions. In 1958 alone, he'd recorded eight albums for the label and Prestige had enough material to continue releasing new Coltrane material into 1964! He never slowed down, leaving Prestige to record prolifically for Atlantic. Then, of course, there were the truckloads of significant records made for Impulse during the 1960s. This February 7, 1958, session - which came to be known as Soultrane - was the tenor's seventh session as a leader, and the first LP that followed his one Blue Note session, the more historic Blue Trane. Soultrane , made right after the tenor player rejoined Miles Davis's group, features the trumpeter's rhythm section of Red Garland, Paul Chambers and Art Taylor. It has also has a noticeably looser, more felt vibe than the better known Blue Note session. Coltrane and Garland are especially compatible, and while nothing magical happens (as Coltrane showed effortlessly elsewhere), this remains an especially strong session. The mode is still strongly bop-oriented, with none of Coltrane's originals and the introduction of a favorite Coltrane theme, Billy Eckstine's "I Want To Talk About You" (revisited throughout the remainder of Coltrane's career). Also here are exceptionally good - but not necessarily definitive - takes of Tadd Dameron's "Good Bait," Irving Berlin's "Russian Lullaby," the lovely "Theme For Ernie" and Jules Styne's "You Say You Care." For a blowing date, though, it's hard to improve upon the appeal of this exceptionally fine session, alight as it is with some of the tenor's most assured and accessible playing. Highly enjoyable.

| Record Label: Prestige Records | Style: Straight-ahead/Mainstream


Shop

More Articles

Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read The MUH Trio – Prague After Dark CD/LP/Track Review The MUH Trio – Prague After Dark
by C. Michael Bailey
Published: February 23, 2017
Read Les Deux Versants Se Regardent CD/LP/Track Review Les Deux Versants Se Regardent
by John Sharpe
Published: February 23, 2017
Read Molto Bene CD/LP/Track Review Molto Bene
by Mark Corroto
Published: February 23, 2017
Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read "Lightyears" CD/LP/Track Review Lightyears
by Jim Olin
Published: July 2, 2016
Read "We Two" CD/LP/Track Review We Two
by Edward Blanco
Published: February 28, 2016
Read "Aram Bajakian's Dolphy Formations" CD/LP/Track Review Aram Bajakian's Dolphy Formations
by Dan McClenaghan
Published: December 28, 2016
Read "Strange Voodoo from Electric Salad Studio: Volume 1" CD/LP/Track Review Strange Voodoo from Electric Salad Studio: Volume 1
by Jack Gold-Molina
Published: November 28, 2016
Read "A Multitude of Angels" CD/LP/Track Review A Multitude of Angels
by Geno Thackara
Published: December 2, 2016
Read "Beginning of A Memory" CD/LP/Track Review Beginning of A Memory
by Mark Corroto
Published: May 15, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!