Founded in 1976 by Hank Jones, the Great Jazz Trio produced several recordings and changed bassists and drummers frequently. This album marks the final studio recording for brothers Hank and Elvin Jones together. Elvin, who is heard here in his prime, soloing frequently and coloring everything admirably, passed away in May at age 76.
The trio interprets these chestnuts with authority. As Richard Davis reiterates "Moose the Mooche" with bowed bass, he applies his personal zeal to the formula. Both bass and drums solo frequently, giving this trio session its equilateral charm.
When Hank Jones expounds upon "Satin Doll" or "Someday My Prince Will Come," it's not like anything you've heard before. His creativity continues to produce vibrant improvisations unlike the standard treatment. The pianist renews himself every time out. His lush harmony and delicate touch give the audience just enough. Spontaneous left hand chord adjustments provide unexpected surprises on "Satin Doll" and "Smoke Gets In Your Eyes." The latter is performed a cappella.
The Great Jazz Trio has given us the best of three worlds. Elvin Jones provides remarkable drum set action with a variety of textures. Richard Davis adds bowed and pizzicato thrills that respect these time-honored melodies. And Hank Jones continues to preach the gospel of bebop candidly, with an unforgettable charm.
Track Listing: Caravan; Softly As In a Morning Sunrise; Moose the Mooche; A Child is Born; Satin Doll; Someday My Prince Will Come; The Shadow Of Your Smile; Long Ago and Far Away; You'd Be So Nice To Come Home To; Smoke Gets In Your Eyes.
Personnel: Hank Jones- piano; Richard Davis- bass; Elvin Jones- drums.
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St
I was first exposed to jazz by my father, who was a rabid fan when he was younger, in the early to mid 1950's. We lived in NYC and he was a regular at places like the Village Vanguard and Birdland. One of his favorite stories involved meeting Charlie Parker and Miles on 52nd St. Needless to say, Jazz and Blues were always on the stereo in our home. I was steeped in these exciting sounds, and they make up some of my earliest memories.