Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

402

Theo Travis: Slow Life

John Kelman By

Sign in to view read count
Between solo albums like Earth to Ether (33 Jazz, 2004) and Double Talk (33 Jazz, 2007), and working with progressive/fusion bands including Porcupine Tree, Gong, The Tangent, and Soft Machine Legacy, Theo Travis has become one of England's hardest working woodwind multi-instrumentalists. A fine player with a broad vernacular—blending the jazz tradition with a deeper understanding of the distinctively English sound of many of these groups—Travis would be a double threat if all he did was play his instruments and compose as well as he does. But Travis' Ambitronics—a soundsculpting array of electronics that allows him to create real-time layers inspired, in no small part, by King Crimson founder/guitarist Robert Fripp's Frippertronics and Soundscapes—makes him triple threat, capable of creating an entire aural landscape.

On the recent duo recording Thread (Panegyric, 2008), Fripp and Travis improvise freely and, by creating ambient washes of sound, challenge preconceptions of what their instruments can do. Released in 2003, Slow Life provides the chance to hear Travis' early days of electronic experimentation in a stripped-down context that focuses the spotlight on just how much Ambitronics can do.

Armed with a single alto flute, Slow Life is, as the title would suggest, meditative, introspective, and soothing. Starting with just a long, single note on "Salad Noir," Travis carefully layers additional languid notes, creating a soft, pastoralism akin to Fripp's career-long collaborations with Brian Eno on the groundbreaking No Pussyfooting (DGM Live, 1973) and more recent The Equatorial Stars (DGM Live, 2005). But even Fripp's softly sustaining electric guitar can't come close to the inherently gentle sound of Travis' flute, making Slow Life an album of profound beauty that's an ideal de-stressor in these high tension times.

Less about overt virtuosity, Ambitronics still doesn't substitute for instrumental mastery. If anything, the controlled improvisatons of Slow Life demand complete and utter command of Travis' instrument. Subtle extended techniques in the low register alternate with lushly constructed chords on "Love is Not Enough," while on "Stereo," Travis takes full advantage of his three-dimensional landscape to gradually build independent loops in the left and right channels, making it absolutely clear—as if previous tracks weren't enough to do so already—that Ambitronics is more than simple looping. Perhaps watching Travis in performance would help, but what becomes equally certain, as Slow Life progresses to the seemingly complex yet hypnotic closer, "Who Stopped You," is that it's a complex interaction of loops, reverb, harmonizing, and more, all managed in real time with the same degree of expertise required to play a conventional instrument.

The seamless integration of electronics—largely based on computer-driven bits and bytes so often associated with terms like "cold" and "clinical"—is catalyzing new instrumental voices for those intrepid enough to explore their musical possibilities. An ear-opening chance to focus on the broader potential of Travis' innovative Ambitronics, Slow Life is a calming but always commanding album that's never less than completely musical.

Track Listing: Salad Noir; Chasing the Slow Train; Love is Not Enough; Sleep; Stereo; Cloudfire; Mellotromatic; Strange Life, Waking Mind; Who Stopped You.

Personnel: Theo Travis: alto flute.

Title: Slow Life | Year Released: 2009 | Record Label: Ether Sounds


Tags

Related Video

comments powered by Disqus

More Articles

Read Bad Hombre CD/LP/Track Review Bad Hombre
by Dan Bilawsky
Published: December 12, 2017
Read Aladdin's Dream CD/LP/Track Review Aladdin's Dream
by Ian Patterson
Published: December 12, 2017
Read Glow of Benares CD/LP/Track Review Glow of Benares
by Jakob Baekgaard
Published: December 12, 2017
Read Magic Circle CD/LP/Track Review Magic Circle
by Hrayr Attarian
Published: December 12, 2017
Read A Gathering Foretold CD/LP/Track Review A Gathering Foretold
by Geannine Reid
Published: December 12, 2017
Read Swinging In The Holidays CD/LP/Track Review Swinging In The Holidays
by Dan Bilawsky
Published: December 11, 2017
Read "Trio / Chinese Jesus" CD/LP/Track Review Trio / Chinese Jesus
by Glenn Astarita
Published: November 26, 2017
Read "Before The Silence" CD/LP/Track Review Before The Silence
by John Sharpe
Published: February 24, 2017
Read "Tangents" CD/LP/Track Review Tangents
by Karl Ackermann
Published: August 28, 2017
Read "Life on the Edge" CD/LP/Track Review Life on the Edge
by Glenn Astarita
Published: April 13, 2017
Read "Sedimental You" CD/LP/Track Review Sedimental You
by John Sharpe
Published: March 30, 2017
Read "The Wishing Stones" CD/LP/Track Review The Wishing Stones
by John Kelman
Published: November 28, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!