Home » Jazz Articles » Album Review » Paul Jones: Short History
Paul Jones: Short History
Short History opens with the flowing tranquility of "Women," but the gentle lapping of the sonic waves turns into something more heady, as simple pleasures lead to more complex ideas in Bukowski-esque fashion. That section of music segues into an up-tempo swing feel with bop-based allusions and tussling voices coming forth during Victor Lewis' "Hey, It's Me You're Talking To," but it's those initial musical thoughts of "Women" that remain firmly planted in the mind. A bit later, there's an appropriately exhausting and repetitive drive behind "On The Road," as pianist Sullivan Fortner and drummer Jimmy Macbride lay down a persistent straight eighth groove in seven, but clarity of thought comes forward when guitarist Matt Davis parts the musical seas and clears out the stifling air. It's Jones capturing that moment when the tedium of the road leads to deeper thought and understanding.
As the album continues, Fortner fronts a contemplative salute to The Inner Game Of Tennis (Random House, 1974), Richard Rogers' "I Could Write A Book" gets a facelift, and Jones enters Ayn Rand territory with the sly "Fountainhead." It's that last number, built as a piano-less trio piece, that proves to be Jones' standout performance on the album. He skulks, swoops, struts, soars, and sings his way to victory there.
Short History manages to do what all strong debut releases should: it captures the musicality, passion and promise of a talented artist at the dawn of his career.
Track Listing
Women/Hey, It's Me You're Talking To; Let's Go; On The Road; Short History; The Inner Game; I Could Write A Book; Fountainhead; At The Lighthouse.
Personnel
Paul Raymond Jones
saxophonePaul Jones: tenor saxophone; Johannes Felscher: bass; Sullivan Fortner: piano; Matt Davis: guitar; Jimmy Macbride: drums; Alex LoRe: alto saxophone.
Album information
Title: Short History | Year Released: 2014 | Record Label: Blujazz Productions
About Paul Raymond Jones
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







