Home » Jazz Articles » Album Review » Theresa Andersson: Shine

142

Theresa Andersson: Shine

By

View read count
Blues/rock excitement oozes from Theresa Andersson’s latest album, Shine. Interpreting with a down-to-earth Nashville flavor complete with slide guitar, dobro and violin, the singer captures blues roots and surrounds them with pop backbeats.

While her singing is oftentimes drowned by louder instruments and background voices, Andersson maintains control. She sings of independence, serious relationships, courage, inner beauty, ambitious dreams, and enduring love. These are the things that make popular music popular. We can relate, and her music is surrounded by familiar material.

Loud drum backbeats, walls of guitar and keyboard harmony, thundering electric bass rides, and myriad background voices keep Andersson company. She puts her girl-next-door vocal interpretations to good use. The occasional electric violin solo, however, remains distant, serving an ornamental purpose. She adds an Americana flavor to several numbers through her violin’s contrasting voice.

The festive session works on our spirit. In a festival setting, with thousands of like-minded fans all around, the program would wrap our troubles in musical phrases and erase dour memories. The recording, turned up way loud, offers something tangible to hold on to when we’ve got trouble in mind.

Visit Theresa Andersson on the web.

Track Listing

Connected; Lie to Me; I

Personnel

Theresa Andersson- vocal, violin, Rhodes keyboard, percussion; Shane Theriot, Glenn LeBlanc- guitar, bass; Lloyd Lambert, Adam Nitti- bass; Willie Green, Lupe Valdiviez- drums; Harry Hardin- violin; Marc Paradis- cello; Sonny Landreth- dobro, guitar; Neal Cappellino- drum programming, Wurlitzer piano; Jon Cleary- piano, keyboards, background vocals; Annie Clements- background vocals; Anders Osborne- slide guitar, background vocals; Grayson Capps- harmony vocal on

Album information

Title: Shine | Year Released: 2004 | Record Label: Basin Street Records


About Theresa Andersson

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Airborn
Eddie Parker's Airborn With Rob Luft
Slow Down For Turtles
Luca Benedetti
Relocate
Andres Thor
A Distant Land
Rich Halley 4

Popular

Desolation Row
David Maranha / Rodrigo Amado
2014 NYC
King Crimson
Beneath Lifted Skies
Linda May Han Oh & Melissa Aldana
Talamanti
Patricia Brennan and Sylvie Courvoisier

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.