Home » Jazz Articles » Album Review » Keith Jarrett, Gary Peacock, Jack DeJohnette: Setting St...
Keith Jarrett, Gary Peacock, Jack DeJohnette: Setting Standards: New York Sessions
This limited release box set is a perfect introduction to both Jarrett and the trio, in addition to the concept and recognition of what a jazz standard is. Having said that, Jarrett's more compositional-improvisational proclivities are included also with Changes. This disc documents the genesis of one of the most popular and enduring jazz combos in history.
For all of the ink liberated about the simpatico shared between Bill Evans, Scott LaFaro, and Paul Motian, that same simpatico certainly exists with this trio. The three artists function together like the fibers of a woven cloth, closely knit yet independent. An advanced empathy among the three principals is already apparent in these early recordings, and this empathy has only deepened in the intervening quarter century.
Keith Jarrett and this trio have no problem breathing fresh air into the Great American Songbook, a song mine that has been used for the entire history of jazz. Standards, Vols. 1 & 2 show the listener only the jumping-off point of this trio. Subsequent Standards Trio releases have been equally revelatory. Changes illustrates Jarrett's ability to spontaneously compose in the trio format as he did solo on his famous Köln Concert (ECM, 1975). Changes predicts the sublime Inside Out (ECM, 2001) as the Köln Concert predicted Radiance (ECM, 2005).
Track Listing
CD1 (Standards, Vol. 1): Meaning Of The Blues; All The Things You Are; It Never
Entered
My Mind; The Masquerade Is Over; God Bless the Child.
CD2 ( Standards, Vol. 2): So Tender; Moon And Sand;
In Love In Vain; Never Let Me Go; If I Should Lose You; I Fall In Love Too Easily.
CD3 (Changes): Flying Part 1; Flying Part 2; Prism.
Personnel
Album information
Title: Setting Standards: New York Sessions | Year Released: 2008 | Record Label: ECM Records
About Keith Jarrett
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






