Home » Jazz Articles » Album Review » Centipede: Septober Energy


Centipede: Septober Energy


Sign in to view read count
Centipede: Septober Energy
One look at the fifty-piece Centipede orchestra, organized and led by British free jazz pianist Keith Tippett over thirty years ago, and the mind boggles that such an unwieldy collection of musicians, from such a multitude of musical camps, could ever be brought together to create a remotely coherent musical statement. And, truth be told, when Septober Energy was released in '71, it was met with almost universal critical derision.

Maybe it's because Tippett, who had already burst onto the scene with a refreshing ability to meld free improvisation with heady arrangements on his first two records—You Are Here' I Am There ('69) and Dedicated to You But You Weren't Listening ('71)—had bitten off more than he could chew with an ambitious 85-minute, four movement suite. Maybe it was that this stylistic melange tried to buck the old adage "you can please some of the people some of the time, but you can't please all of the people all of the time." Or maybe it was just plain critical cantankerousness. Irrespective, looking back at Septober Energy , remastered and reissued by BGO Records in '00, reveals a piece of work that may be flawed, but still has much to recommend.

Part 1 is the most problematic, mainly because it doesn't really know what it wants to be—pedal tone passages are replaced by a sudden anarchy of instruments building into a marching drum passage with ascending and descending horns and a pattern of strings creating the first recognizable motif of the disc before breaking down into a quartet that sounds like an outtake from King Crimson's Islands —which is no surprise considering Crimson guitarist Robert Fripp not only produced Septober Energy , but used Tippett extensively on his own records at the time.

Part 2 hangs together better, with a more assertive rhythmic focus that makes good use of flugelhorn player Ian Carr and oboist Karl Jenkins over a more accessible funk groove. The only misstep is Brian Godding's stiff and cliché-ridden solo, more the pity since a far better guitarist, Fripp, was only a few feet away in the control booth. But one can easily ignore Godding's less-than-memorable contribution, as solos by cornet player Mark Charig and saxophonist Brian Smith more than make up for his obvious deficiencies.

Part 3 suffers the same flaws as Part 1, but Part 4 contains some positively beautiful moments, notably Tippett's piano solo which opens the movement and includes some McCoy Tyner-ish inflections. And after some of the chaos that came before, the final movement is more groove-centric and approachable, like Part 2.

Bombastic? Sometimes. Over-reaching? Possibly. But reassessing Septober Energy has value, if for no other reason than it harkens back to a time where an album of this kind was even possible , and on a major label to boot. Flawed gems are still gems and Septober Energy is one with its own peculiar beauty.

Track Listing

CD1: Septober Energy - Part 1; Septober Energy - Part 2. CD2: Septober Energy - Part 3; Septober Energy - Part 4.


Violins: Wendy Treacher, Jihn Trussler, Roddy Skeping, Wilf Gibson (lead), Carol Slater, Louise Jopling, Garth Morton, Channa Salononson, Steve Rowlandson, Mica Gomberti, Colin Kitching, Philip Saudek, Esther Burgi. Cellos: Michael Hurwitz, Timothy Kramer, Suki Towb, John Rees-Jones, Katherine Thulborn, Catherine Finnis. Trumpets: Peter Parkes, Mick Collins, Ian Carr (doubling flugelhorn), Mongesi Fesa (pocket cornet), Mark Charig (cornet). Alto Saxophones: Elton Dean (doubling saxello), Ian Steel (doubling flute), Ian MacDonald, Dudu Pukwana. Tenor Saxophones: Larry Stabbins, Gary Windo, Brian Smith, Alan Skidmore. Baritone Saxophones: Dave White (doubling clarinet), Karl Jenkins (doubling oboe), John Williams (bass saxophone, doubling soprano). Trombones: Nick Evans, Dave Amis, Dave Perrottet, Paul Rutherford. Drums: John Marshall (and all percussion), Tony Fennell, Robert Wyatt. Vocalists: Maggie Nichols, Julie Tippett, Mike Patto, Zoot Money, Boz. Basses: Roy Babbington (doubling bass guitar), Jill Lyons, Harry Miller, Jeff Clyne, Dave Markee, Brian Belshaw. Brian Godding (guitar), Keith Tippet (piano, musical director).

Album information

Title: Septober Energy | Year Released: 2004 | Record Label: BGO Records



For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.


Stick Together
Behn Gillece
Perpetual Void
Marta Sanchez Trio with Chris Tordini and...
September Night
Tomasz Stańko


Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.