All About Jazz

Home » Articles » CD/LP/Track Review

9

John Surman: Saltash Bells

John Kelman By

Sign in to view read count
There's no denying the "the sound of surprise" of group recordings; working solo, however, provides its own possibilities, despite meaning different things to different people. Pianist Keith Jarrett views it as a means for pulling form from the ether: one man, one piano, in real time. Multi-instrumentalist Stephan Micus, on the other hand, considers it a blank slate where it's one man but a multitude of instruments layered one upon the other, through multi-tracking, over the course of days, months...even years. Reed player John Surman has been creating one-man orchestral works since Westering Home (Island, 1972), but it's been his subsequent 33-year tenure with ECM where he's created a larger body of work that has included an additional half dozen solo recordings, beginning with his label debut, 1979's Upon Reflection.

Saltash Bells is Surman's first solo recording since 1995's A Biography of the Rev. Absalom Dawe, though he's been far from inactive, releasing the quartet-based Brewster's Rooster (2009) and Rain on the Window (2008)—a sublime duo set with organist Howard Moody recorded at Ultern Kirke in Oslo, where Surman now resides with wife/singer Karin Krog—in addition to two non-ECM recordings: Cuneiforms's marvelous archival find, Flashpoint: NDR Jazz Workshop—April '69 (2011), and the large-ensemble The Rainbow Band Sessions (Losen, 2011).

Credits for Surman's previous one-man efforts cited them taking place during the course of a month; Saltash Bells, in contrast, was recorded over just two days in 2009 and one more in 2011. Surman adds tenor saxophone, and alto and contrabass clarinets to his core arsenal of soprano and baritone saxophones, bass clarinet and synthesizers...even harmonica, for the first time, on the epic "Sailing Westwards," gently layered so seamlessly with his synth patterns as to feel like a unified voice.

Loops, synthesizer sequences and multi-tracked horns suggest preconception, but in Surman's sphere these remain a means of using improvisation to create further improvisational contexts, whether it's building foundations or soaring over them, as he does towards the end of "Sailing Westwards," his soprano responding to the various layers that combine to shape this hypnotic closer of cinematic proportions.

Saltash Bells is not all layered constructs, however. The pensive "Glass Flower" features Surman a capella on bass clarinet, while baritone saxophone is the sole voice on "Ælfwin." Elsewhere, "Triachordum" is a trio baritone piece, Surman's improvisational voice adding the shifting vertical harmony to two horns separated by fifths throughout, even as he fashions melodies in the moment over the course of nearly four minutes. Surman's soprano saxophone on "Dark Reflections" seems to be on a course that orbits around a series of shifting lines more buried in the mix, while baritone and soprano saxophones evoke both lyricism and unrelenting pulse on "The Crooked Inn."

Saltash Bells is an intended reference to Surman's birthplace in Tavistock, a scenic location on the River Tavy, which runs through West Devon to the English Channel. Sounds of church bells and seagulls echoing over the landscape are but two touchstones that imbue the charmingly pastoral Saltash Bells, an album that confirms you can take the man out of the place but you can't take the place out of the man.

Track Listing: Whistman's Wood; Glass Flower; On Staddon Heights; Triachorum; Winter Elegy; Ælfwin; Saltash Bells; Dark Reflections; The Crooked Inn; Sailing Westwards.

Personnel: John Surman: soprano, tenor and baritone saxophones, alto, bass and contrabass clarinets, harmonica, synthesizer.

Title: Saltash Bells | Year Released: 2012 | Record Label: ECM Records

Tags

Related Video

comments powered by Disqus

CD/LP/Track Review
Live Reviews
CD/LP/Track Review
Live Reviews
Read more articles
Invisible Threads

Invisible Threads

ECM Records
2018

buy
Westering Home

Westering Home

Fledg'ling Records
2016

buy
Morning Glory

Morning Glory

Fledg'ling Records
2016

buy
Looking for the Next One

Looking for the Next...

Cuneiform Records
2013

buy
Saltash Bells

Saltash Bells

ECM Records
2012

buy

Related Articles

Read World Domination Vol 1: Furie CD/LP/Track Review
World Domination Vol 1: Furie
by Mike Jurkovic
Published: July 20, 2018
Read 20 CD/LP/Track Review
20
by Jack Bowers
Published: July 20, 2018
Read Frank Salis CD/LP/Track Review
Frank Salis
by Mark Sullivan
Published: July 20, 2018
Read Live! CD/LP/Track Review
Live!
by Mike Jurkovic
Published: July 19, 2018
Read My Favorite Things(1960-1969) CD/LP/Track Review
My Favorite Things(1960-1969)
by Jerome Wilson
Published: July 19, 2018
Read The Acadian Orogeny CD/LP/Track Review
The Acadian Orogeny
by Geannine Reid
Published: July 19, 2018
Read "Sovereign" CD/LP/Track Review Sovereign
by Roger Farbey
Published: October 30, 2017
Read "Gateway" CD/LP/Track Review Gateway
by Karl Ackermann
Published: August 25, 2017
Read "Forever Young" CD/LP/Track Review Forever Young
by Jack Bowers
Published: August 1, 2017
Read "Glassbath" CD/LP/Track Review Glassbath
by Glenn Astarita
Published: May 6, 2018
Read "Liver" CD/LP/Track Review Liver
by Glenn Astarita
Published: May 15, 2018
Read "Passin' Thru" CD/LP/Track Review Passin' Thru
by Ian Patterson
Published: July 20, 2017